Steven Padnick does a much better job expressing why I’m uncomfortable with the traditional version of the Batman/Bruce Wayne mythos, leading me to create my own alternative version, than I could:
Just look at who he fights. Superman (for example) fights intergalactic dictators, evil monopolists, angry generals, and dark gods, i.e. symbols of abusive authority. Batman fights psychotics, anarchists, mob bosses, the mentally ill, and environmentalists, i.e. those who would overthrow the status quo. Superman fights those who would impose their version of order on the world. Batman fights those who would unbalance the order Batman himself imposes on Gotham. [...]
Of course, Batman doesn’t like the upper class he belongs to, either! Shallow, petty, boring, and vain, they know nothing of the pain and suffering he sees every night when he hunts killers through the slums of Gotham, every day when he closes his eyes. But does he dislike his wealthy peers because they don’t appreciate how wealthy they are? Or is it because they aren’t wealthy enough to appreciate how much responsibility he has?
But even if he thinks they’re upper class twits, he really doesn’t do anything about it. He leaves them in place, protects them from harm, flirts with and beds them. They’re not the bad guys, after all. It’s all those poor evil people. The one’s who keep crashing the gate, the ones who happened to be hurt in the hunt for profits. If it comes to a clash between the twit and the poor schlub they screwed over and disfigured, Batman tends to side with the twit. (To his disgust, yes, but he’ll do it.)
The Christopher Nolan version does its best to skirt around this by making the Waynes progressive elites who help the poor and develop alternative energy systems and by making the threats to the status quo (mob bosses, the Joker, Bane) legitimately worse than the status quo. Note, for example, that Batman/Bruce Wayne are aware of John Daggett’s shady dealings in Africa, yet Daggett only becomes a concern when he steals Bruce Wayne’s finger prints and begins meddling with the Gotham Stock Exchange.