Page 43 of 682

Introducing Infrastructure Fiction

The Blood of the City

Paul Graham Raven introduces the idea of “infrastructure fiction,” a derivative of design fiction (itself somewhat related to science fiction):

No one would describe Douglas Adams as a “hard” science fiction writer, but I’ve long felt that he was better than many of his more serious contemporaries at communicating the paradoxical relationships we humans have with the world we inhabit. Near the start of the third Hitchhiker’s Guide novel, Life, the Universe and Everything (Adams, 2009), Arthur Dent and Ford Prefect observe the arrival of an unusual spacecraft (which, if I remember correctly, looks rather like a low-budget Italian bistro turned on its side) in the middle of Lords cricket ground during an important test match. This spacecraft remains unnoticed by the players, the crowd, or even the stolid BBC reporters covering the match; this is because it includes a device which generates a “Someone Else’s Problem” field, whose inventor realised that, while making something invisible is very tricky, making something look like someone else’s problem is much, much easier, as most people are predisposed to that position.

The challenge for infrastructure fiction is to dispel the Someone Else’s Problem field and reveal the elided centrality of infrastructure to pretty much everything we do. Its challenge is to explore what infrastructure means.

Full Story: Superflux: An Introduction To Infrastructure Fiction

Paul includes links to a few examples from a University of Sheffield project he was involved in, including the “City Blood” concept pictured above.

Technoccult Interview: Zero and Suicide Squad Writer Ales Kot

Ales Kot

Ales Kot writes comics, amongst other things. His first graphic novel, Wild Children with Riley Rossmo, was published by Image Comics last year. He quickly followed this with Change with Morgan Jeske, also at Image. The collected edition was just released by Image last week.

Now he’s writing the superhero series Suicide Squad for DC and his creator owned espionage comic Zero for Image.

We put on the new Zomby album With Love and had a chat about how to entered the comic industry, the philosophy behind his work, and more.

Continue reading

The Untold Story of Jonestown

Jonestown work crew

Deirdre Sugiuchi interviews Julia Scheeres, author of A Thousand Lives: The Untold Story of Jonestown, who makes the case that the infamous “kool-aid incident” was murder, not suicide:

Guernica: How, after seeding that initial idea in their minds, did he end up trapping them—if that’s what happened—in the jungle?

Julia Scheeres: Here’s the key thing: Everyone who went to Jonestown thought they could leave at any time if they didn’t like it. But once they arrived, via a two-day river boat trip, Jones confiscated their money and passports. He told them that if they wanted to go back to the United States, they could swim back: he wasn’t paying their airfare. I believe his plan all along was to sequester them in an isolated spot and kill them. Most Peoples Temple members arrived in Jonestown in the summer of 1977, and he introduced the notion of “revolutionary suicide” soon after. They were shocked; they’d immigrated to Jonestown seeking a better life for themselves and their children only to discover their pastor was intent on killing them. One of the most heartbreaking things I discovered in my research was dozens of notes to Jones from residents begging him to let them return to California. One mother said her daughter was having nightmares after listening to debates on the best way to kill the one thousand residents of Jonestown, and that she didn’t know how to convince her daughter that “death was a good thing.” Many offered to send down their paychecks for the rest of their lives if he’d let them go. He couldn’t of course; they would have let the world know that he’d gone completely mad.

I think the folks who joined Jones’s church did so because they truly believed in his stated ideals of racial equality and social justice. That’s why he was able to convince one thousand of them to immigrate to the jungle of Guyana. Although history has stigmatized Jonestown residents as the people who “drank the Kool-aid,” I’d argue that they were noble idealists. Furthermore, they were murdered. They didn’t willingly drink poison—they were forced to do so at gunpoint. They sought the ideal, only to have their leader horribly betray them.

Full Story: Guernica Magazine: Untold Stories

Coming Soon: OMNI Magazine Art Gallery and Book

OMNI cover by HR Giger November 1978

Vice’s Claire Evans just got to check out the largest known collection of OMNI related ephemera in the world and shares some interesting news (emphasis mine, since I almost missed this):

OMNI was bankrolled by a fountain of cash generated by Penthouse. And by bankrolled, I mean bankrolled: the most shocking thing I found in Jeremy’s filing cabinets wasn’t the Penthouse negatives but stacks of magazines annotated with invoices detailing how much each contributor was paid. For the issue dated November 1989, Guccione’s company, General Media Incorporated, spent $16,843.65 on illustrations – solar sails, airbrushed mazes, a silhouette of Neptune pressed up against an inky sky. It goes without saying, but I’ll say it anyway, that this sum eclipses the entire monthly operating budgets of many modern magazines.

This is because Bob loved art. His mansions in Manhattan and on the Hudson river were both filled with old masters and paintings by the hundreds of artists he tapped to illustrate OMNI and Penthouse. “Design was everything for Bob,” Jane said. No matter if they were selecting pictorials for Penthouse or laying out the sleek, futuristic pages of OMNI, it was the same. “I knew in the end, we would thinking about that vertical, that horizontal, we’d be thinking about that perfect placement, we’d be thinking about design, color, light.” When Guccione’s empire crumbled – General Media went bankrupt in 2003 – his personal assets were liquidated to pay off debts. The Van Goghs, Modiglianis, Picassos, and Renoirs went to the auction house; the rest of the artworks – sexy pictures and science fiction landscapes alike – were scattered to the wind. […]

OMNI is returning with a vengeance. An exhibition of its art is in the works, some of which I saw: original lithographs and paintings from the magazine, artworks that Jeremy et al. have been tracking down at huge cost. The warehouse now stashes 53 surrealistic oils and fantasy landscapes and contains works by Rafal Olbinski, Robert Kittila, Jon Berkey, Tsuneo Sanda, and Bruce Jensen. Coming up: a book of this collected artwork, released by Powerhouse Books; a panel at the Toronto Fan Expo; and eventually booths at conventions around the country.

Full Story: Vice: OMNI Magazine Will Rise Again

(via Abe)

I bought a stash of OMNI magazines on eBay a couple years ago and it was totally worth it. But you can read scans online for free at Archive.org. If you don’t know where to start, here’s a list of issues with William Gibson stories and here’s the famous issue seen above, with an H.R. Giger cover and an interview with Future Shock author Alvin Toffler conducted by Guccione, a “Computer Lib” article by Ted “Xanadu” Nelson, John Lily on dolphins, fiction by Greg Bear and more.

Or dive into the Fortean index of OMNI to find particular topics of interest.

See Also:

Boing Boing: Memories of OMNI Magazine

Slender Man: 21st Century Campfire Tale

slender-man

Michael Rose write:

Where then, does the internet age turn to for it’s vicarious scares? The answer arrived on the popular forum SomethingAwful in 2009 in the imposing form of Slender Man. The site was running a contest in which participants were instructed to photoshop images to contain supernatural entities. User Victor Surge entered two photos of distressed children to contain an unusually tall, thin man with a pale featureless face and added text describing purported eyewitness accounts to the man’s strange powers over those around him and linking him to the disappearance of 14 children. The second of these two texts referred to the eerie figure as ‘The Slender Man’. The posts quickly caught the attention and imaginations of other members, who began to supplement the story with their own words and images. What had begun as a contest entry was to become a worldwide phenomenon.

Full Story: Mysterious Universe: Slender Man: 21st Century Campfire Tale

(via Cat Vincent)

Adderal, A Love Story

Dose Nation‘s James Kent writes:

Adderall is a clever brand and a deceptive brand. In America, amphetamine has traditionally been associated with tweakers, speed freaks, bikers, truckers and all-night sex orgies. Adderall changed all that. Stimulants like Ritalin have long been shown to help people with ADD and ADHD (attention-deficit hyperactivity disorder) concentrate for longer periods. So in 1996, Shire Pharmaceuticals introduced Adderall, a patented blend of amphetamine salts, to compete in the market for ADD/ADHD medications. The product was so successful that in 2001, Shire introduced the Adderall XR capsule in order to supply a low but steady dose to users all day long. Adderall XR is marketed as a productivity drug to help people with ADD, ADHD or narcolepsy remain alert and focused, but because it’s essentially pure pharmaceutical amphetamine, it quickly became the prescription stimulant of choice for college students, wage laborers, the military, and pretty much everybody else.

Full Story: High Times: Adderall: America’s Favorite Amphetamine

(via Brainsturbator)

Previously: The Nazi Origins of Meth — AKA “Tank Chocolate”

Interview with Quantified Self Labs Director Ernesto Ramirez on the New Mindful Cyborgs

Ernesto Ramirez

This week on Mindful Cyborgs Chris Dancy and I interview Ernesto Ramirez, the program director, editor and community organizer of Quantified Self Labs and the webmaster of quantfiedself.com. We talked about the beginnings of the quantified self movement, its chances for catching on with the broader public and the privacy implications of sharing health data on the cloud.

As always you can listen to it or download it on both iTunes and Soundcloud, or you can just download the MP3 directly.

Full show notes and transcript inside.

Continue reading

Lorem Gibson Autogenerates William Gibson-style Prose

Here’s an example:

office wonton soup -ware bicycle render-farm futurity smart- tower office bicycle fluidity spook table. media neural papier-mache -ware sensory savant sub-orbital saturation point network pistol concrete rebar A.I.. 3D-printed long-chain hydrocarbons post- engine pen paranoid nodal point skyscraper computer range-rover euro-pop camera camera. rifle paranoid digital -ware sentient Tokyo kanji footage artisanal rain urban modem Shibuya. Kowloon crypto- kanji girl network Chiba motion concrete assassin courier construct plastic dead.

Lorem Gibson

Reminds me of Kenji Siratori

(via Bruce Sterling)

Compassionate Takedown of Pickup Artististry

Glenn Fleishman explains the “pickup artist” (PUA) community, and the recent controversy about a PUA book on Kickstarter that advocated sexual assault:

PUAs aren’t typically an overlap with the frat-boy stereotype of athletes and aggression. Rather, PUAs are social misfits who appear to be incapable of reading and responding to social signals. Just as the Ana subculture arose on the Internet extolling anorexia, which is medically and socially unacceptable even as the body image associated is perpetuated through media, the PUA subculture seems to thrive because it’s found a home in which such discussions are encouraged and cultivated.

And it is undeniable to these men that women meet other men and then, immediately or after a number of dates, engage in sexual concourse with them. Why not them? It must not be their personality, pheromones, conversational style, or appearance. There must be a secret that some men have that they have missed, and thus a culture of tips, tricks, and strategies develops. […]

Mutually consensual behavior initiated by either party isn’t assault, of course, nor does it have to be spoken aloud. But it requires the ability to read signals and respond to them to know whether consent exists, and to stop — not “escalate” — when there’s ambiguity. This category of book provides the excuse for consent to men who can’t read signals. The book is advising sexual assault under the guise of something the woman wants but can’t ask for. That’s not consent.

Full Story: Boing Boing: Kickstop: how a sleazebag slipped through Kickstarter’s cracks

Something that’s bothered me lately about many critiques of internet subculture I’ve read recently. For example, Stephen Bond ‘s rants about skeptics and the Less Wrong community. He wrote about skeptics: “You’ll quickly find that the majority of visitors are not drawn there by concern for the victims of irrationality, but by contempt. They’re there to laugh at idiots.” And: “The average skeptic has little time for spreading the word of reason to the educationally or intellectually lacking. His superior reason is what separates him from the chumps around him, and he has no interest in closing the gap.” But Bond seems to fall quickly into a similar trap: he bashes skeptics and Bayesians, decrying their lack of ethics and implying his own moral superiority (someone on Metafilter suggested that Bond did this on purpose to parody those communities). There’s no compassion, no insight into why someone might become swept up in these communities other than “because they’re assholes.”

It’s a hard impulse to shake. It’s easy to get so angry at someone — internet scammers, religious people, pickup artists, libertarians, whoever — and end up seeing them as something less than human. I’ve done it many times right here on this blog. It’s hard to be compassionate or to see what attracted someone to this point of view. But that’s incredibly important not just to help win people over — which is very hard — but to help others understand the culture that you’re critiquing and why they are wrong. “They do these things because they’re assholes, and they’re wrong because they just are” isn’t a compelling argument. I think it’s why so many people have trouble with Evgeny Morozov’s work. Morozov doesn’t, at least in what I’ve read of his work, ever stop to ask why someone might believe what they do. He takes it for granted that everyone he criticizes is either a fool or a charlatan or both. It wears thin quickly, not just because it’s mean spirited but because it doesn’t read as a well-rounded critique. It reads as a rant meant solely for those who already agree with him, as a chance to make fun of the chumps who have bought into the “solutionist” ideology.

Fleishman doesn’t go easy on the PUAs, but he does explain why what they do is wrong, why someone might try it anyway, and why the people involved in it don’t realize what they’re doing is wrong. That makes it a far more powerful critique than most of what I’ve been reading lately.

If you want more info on the PUA culture and methodologies: The Observer’s review of Neil Strass’ book on pickup artistry and Jeff Diehl’s article on “speed seduction.”

Doctors Worry About DIY Brain Shocks

Dave Siever of Mind Alive

A recent paper published in the Journal of Medical Ethics warns of the dangers of DIY transcranial direct current stimulation (tDCS). The National Post reports:

Those risks include reversing the polarity of the electrodes to cause impairment instead of benefit, and triggering potentially long-lasting and negative changes to the brain’s biology, the researchers argue in the Journal of Medical Ethics. […]

In fact, Health Canada considers tDCS machines to be class-three devices — on a scale of risk ranging from one to four — and has yet to approve any for treating psychological illness – though they are licensed for pain and insomnia therapy, said Leslie Meerburg, a department spokeswoman. […]

One subtle but troubling risk could lie in the ability of the devices to change behaviour, with research by Prof. Fecteau and colleagues suggesting tDCS can actually make people better liars, or less empathetic, both qualities that could encourage unscrupulous conduct.

Full Story: Do-it-yourself brain stimulation has scientists worried as healthy people try to make their minds work better

Amusingly, after citing a researcher who says tDCS could make people better liars and less empathetic, the Post quotes someone selling a home tDCS rig saying that it is “very safe.” But, despite the somewhat sordid tone of the story, the actual paper Medical Ethics paper does say that tDCS is “relatively safe.” You can find the full paper here.

(via Theoretick)

© 2025 Technoccult

Theme by Anders NorénUp ↑