MonthMay 2010

WaPo wades into HuffPo’s unpaid content model

A top news and politics site is packaging content written by unpaid bloggers, hoping to engage its audience, give writers a platform, and make some money selling ads. No, I’m not talking about The Huffington Post. In recent weeks, The Washington Post has launched two new projects following a model closer to HuffPo — where a small number of professionals are paid to curate the work of many more unpaid writers — than its traditional print roots. In the competitive world of Washington news, it’s another example of the Post trying something new to compete with the startups that, not so long ago, weren’t viewed as much of a direct threat. […]

I spoke with the Post’s national innovations editor, Paul Volpe, about the new project. He described it in ways that have become common for the content-for-exposure model: It’s a mutually beneficial project, though no cash is exchanged; the content is already out there; readers want to see it, and the Post can bridge the audience gap in a way a local blog can’t.

Nieman Journalism Lab: WaPo wades into HuffPo’s unpaid content model

A Born-Again Christian Ex-Outlaw Biker and His Hunt for the Leader of the Lord’s Resistance Army in Uganda

Sam Childers

Sam Childers is known in these parts, and back home in Pennsylvania, simply as the Reverend Sam. He is not your typical evangelical Christian missionary, nor, as a white American, is he your typical African warlord. Childers is a former drug dealer and outlaw biker, with tired eyes framed by grizzly muttonchops and a walrus mustache. He claims divine justification for what he does. In firefights, he says, God sometimes tells him when to shoot. He speaks country-singer American, with plenty of grit, and he recounts, over and over, the same stories from his bar-brawling days. He lifts weights, favors army fatigues, and keeps a .44 Magnum tucked in the small of his back. Harley tattoos stretch down his thick arms, and “Freedom Fighter” is airbrushed on the back of his truck. He once owned 15 pit bulls. He seems suited more to bending steel in a motorcycle shop than to saving souls in Sudanese villages.

In 1992, Childers was born again, having promised his wife he would come to Jesus if God granted them a child. A child was born. Leaving behind a life of drugs and crime, Childers set up a hardscrabble church in rural Pennsylvania. In 1998 he used his meager savings to take his first missionary trip to Sudan. He ended up near the border with Uganda, where a complicated and bloody conflict—one of Africa’s so-called forgotten wars—has been raging since 1987. At the center of the fighting is the Lord’s Resistance Army, a guerrilla group led by a Ugandan named Joseph Kony. The L.R.A.’s stated goal is to overthrow the Ugandan government and install a theocratic state based on the Ten Commandments. That effort has entailed systematically ignoring at least one of the commandments, Thou Shalt Not Kill. Most of the others have been breached as well. This forgotten war is the continent’s longest running. It spills across the border from Uganda into Southern Sudan and the Democratic Republic of Congo as the L.R.A. scours the region for conscripts and supplies.

What transformed Childers into a zealot was, as he later wrote, “a metal disk about the size of a dinner plate.” A land mine had been placed along a road near the town of Yei, and a child made the mistake of stepping on it. Childers happened upon the torso. In time, he liquidated his construction business, sold his pit bulls, auctioned his antique-gun collection, and mortgaged his home to help pay for regular trips to Sudan, where he began spending most of his time. He became obsessed with the fate of the thousands of children who have lost their parents to the fighting. In due course he would set up an orphanage in Sudan. But it was Joseph Kony who grabbed his attention. “I found God in 1992,” Childers says, in what is by now a ritual formulation. “I found Satan in 1998.” He has vowed to track Kony down and, in biblical fashion, to smite him. He has been trying for years. But this specific ambition has led to a broader entanglement in the region’s conflicts. Childers is now helping to feed and supply the Sudan People’s Liberation Army (S.P.L.A.), and he has made his home in Uganda available to the rebels for a radio-relay station. An arms depot stands at the heart of his orphanage. Childers also maintains his own paid militia force—a platoon of seasoned fighters recruited from the S.P.L.A.—and for his efforts, he says, the government of Southern Sudan has named him an honorary commander, the only white man to achieve that distinction. The Ugandan and Southern Sudanese militaries give Childers wide latitude to roam an increasingly bloody militarized zone.

Vanity Fair: Get Kony

(Thanks Josh)

Unreleased William S. Burroughs tape experiments to debut in London

William S. Burroughs

Dead Fingers Talk is an ambitious forthcoming exhibition presenting two unreleased tape experiments by William Burroughs from the mid 1960s alongside responses by 23 artists, musicians, writers, composers and curators.

Few writers have exerted as great an influence over such a diverse range of art forms as William Burroughs. Burroughs, author of Naked Lunch, The Soft Machine and Junky, continues to be regularly referenced in music, visual art, sound art, film, web-based practice and literature. One typically overlooked, yet critically important, manifestation of his radical ideas about manipulation, technology and society is found in his extensive experiments with tape recorders in the 1960s and ’70s. Dead Fingers Talk: The Tape Experiments of William S. Burroughs is the first exhibition to truly demonstrate the diversity of resonance in the arts of Burroughs’ theories of sound.

Dead Fingers Talk: The Tape Experiments of William S. Burroughs

Privacy-centric Facebook competitor raises over $100k on Kickstarter (in case you didn’t hear)

Oh yeah, and today’s big media story, in case you didn’t hear:

When Wired.com called for an open alternative to Facebook last Friday, lamenting the company’s untrammeled desire to control your online identity and reconfigure the world’s privacy norms, reader response was overwhelming, with hundreds of comments and ironically, thousands of “Like” votes on Facebook.

Now, a group of four New York University students — who were working on just what we called for — have harnessed that dissatisfaction in the form of more than $115,000 in crowdsourced funding for their distributed, social networking system called Diaspora. That’s the equivalent of a significant angel round of funding in the internet startup world, and their fundraising on the Kickstarter crowdsourced funding site has another 19 days to go.

Wired Epicenter: Open Facebook Alternatives Gain Momentum, $115K

They even smuggled a dirty Unix joke into their New York Times coverage.

Three reads on the future of journalism

How to Save the News James Fallow’s piece from The Atlantic on how Google is trying to save journalism.

Will Rupert Murdoch’s plans to charge for access to his websites pay off? coverage from The Independent on News Corp.’s pay wall plans.

Putting a Price on Words New York Times Magazine on journalism start-ups attempting to the right business model for the future of journalism.

Dossiers: Timothy Leary, Dennis and Terrence McKenna, and Hakim Bey/Peter Lamborn Wilson

Timothy Leary

Dennis McKenna

Terrence McKenna

hakim bey peter lamborn wilson

The latest batch of dossiers is here!

Timothy Leary

The brothers McKenna

Hakim Bey/Peter Lamborn Wilson

New book by Peter Lamborn Wilson: Abecedarium

Abecedarium by Hakim Bey

As most elementary school kids know the letters of the alphabet are the building blocks used to construct tiny words, big words, made up words; with a dash of punctuation entire sentences can be built from letters making up short articles like this one or filling up volumes to create massive epic narratives or turgid philosophical treatises. Yet like the atoms that make up our universe the letters of the alphabet contain within them subatomic particles and secret histories. Peter Lamborn Wilson has done a remarkable service in teasing out the ghosts trapped within the Roman letters by tracing them back to more arcane iconographies, all the while giving a reminder that when writing originated it was considered a magical art, and one closely allied with statecraft. While those two functions have not disappeared they have been (deliberately) obscured as the symbols transformed over time.

Review at Brainwashed

Buy it from Amazon

R.U. Sirius interview on the open source Mondo 2000 history project

Mondo 2000

If it’s collaborative, but also your memoir, what happens when there’s conflict of memory? When your memories of what happened are completely different than the people participating in the book?

That’s kind of the experiment. That’s something you discover in the process of writing, co-writing, or editing the book. I have no particular prejudice towards the truth. If somebody gives me a colorful story, I may run with that. I may run with some people denying that it happened, or I may choose to deny something happened that someone else thinks, or I may not.

To me, it’s not a process of journalism or a conventional memoir, but a process of trying to create a piece of literature largely out of reality — but not confined entirely to reality. It’s become a cliche, like in Kurosawa’s Rashomon, in which each character goes through the same experience but remembers it in vastly different ways.

It could be interesting to have some of that in a way that’s literary and exposes something about the human being. And also, hopefully, amusing and funny.

Kickstarter: An Open-Source History of Mondo 2000 (Audio interview and transcript)

Ultra cheap nanochips could be built from DNA

DNA waffle

In his latest set of experiments, Chris Dwyer, assistant professor of electrical and computer engineering at Duke’s Pratt School of Engineering, demonstrated that by simply mixing customized snippets of DNA and other molecules, he could create literally billions of identical, tiny, waffle-looking structures.

Dwyer has shown that these nanostructures will efficiently self-assemble, and when different light-sensitive molecules are added to the mixture, the waffles exhibit unique and “programmable” properties that can be readily tapped. Using light to excite these molecules, known as chromophores, he can create simple logic gates, or switches.

PhysOrg: DNA could be backbone of next generation logic chips

(via Theoretick)

To see in Seattle: ‘When I Come To My Senses, I’m Alive!’

When I Come To My Senses, I’m Alive! from Stephen McCandless on Vimeo.

I’m not going to have time to get up to Seattle to see this play, but it sounds great. Check it out if you’re in the area:

It runs April 23 – May 22, 2010. The play is a near-future sci-fi story about a technological provocateur who invents a method for capturing emotions as digital information, as part of a project to “chart the emotional genome.” She develops a cult following of fans who download her very addictive “emoticlips” – each delivered with cryptic, poetic file names like “the surprise of an unfamiliar memory” – and play them back in hobby-built receiver helmets. The experience is not full blown virtual reality; instead, emotional responses & sensations are triggered, and each fan experiences something unique. A seedy television executive tries to coopt her technology to syndicate the emotions of TV stars, hiring an elite P.I. to figure out what her weaknesses are when she refuses to sell out… but in the meantime, publishing digital versions of her emotions to the internet has unexpected consequences amongst the botnets of the world.

Scotto: ‘When I Come To My Senses, I’m Alive!’

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