Tagsexism

Mindful Cyborgs: Power and Privilege in the New Working Order

This week Chris Dancy and I talked to Shanley, a tech product manager and feminist in the Bay Area, about sexism and micro-aggression in the work place.

KF: How can people be more aware of what’s going on there? I mean, one of the things I was wondering about when I read it is how often managers are really intentionally doing this because I imagine there’s some element of desire to be the boss and express power in those ways but I’m guessing actually that there’s a fair amount that’s completely subconscious and that if managers were more aware of they actually would perhaps not do these things.

First of all, do you agree that some of it is unintentional and secondly like how can people become more aware of this stuff?

CD: One of the things I heard Shanley you say was when I become or when we become managers the things we observe so I think to Klint’s question is some of this just kind of picked up like lint on your mind because you’ve watched people manage?

SK: Yes absolutely. I think we tend to emulate what we see around us, we tend to try to emulate and live up to the mythologies around us. I think that most this type of behavior is not conscious at all. No one is sitting there thinking how can I make my team feel bad, how can I make them feel inferior, how can I make them feel less than … but there’s something amazing about that realization because it starts with this realization that like managers have a profound impact on the lives and experiences of their teams.

We know this is true because when you ask people about bad managers that they’ve had you see the tremendous negative impact that managers can have and not just affecting you as an individual but ask someone’s partner, their friends about the bad managers they’ve had and they’ll give you an earful too. And then you talk with managers and they have this really strong desire to really help their team but there’s a disconnect going on there. When you can sort of star in this shared position of being like okay, like this is a really powerful space, the space of interaction is really powerful. It’s something that sometimes goes horribly wrong but no one wants it to you and how can we sort of start from that position of like good intention but more awareness and honesty.

As always, you can find it on Soundcloud, iTunes or Stitcher, or download it directly.

Show notes and transcript are here.

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On King City’s Portrayal Of Women

King City

And for all Brandon Graham seems like an intelligent guy who really thinks about the portrayal of women in comics he’s still made a book that’s male gazey as hell. An important quote from the interview:

“Yeah I think that’s the big problem. It’s like, ok dudes, we’ve tended to your boners since the dawn of time. Can someone else have a turn?”

And it’s ace that he’s noticed things shouldn’t mainly be aimed at straight males. It makes me feel a bit bad for being all “ooh look at the objectification” as he comes across as a definite Force For Good in interviews but, well, the women in this comic still are totally aimed at that straight, male audience, aren’t they?

It’s an extension of that whole aspect of illustration that you see constantly on yr Tumblrs and Deviantarts and in grafitti and on music posters and such: young, straight men like drawing ‘badass’ idealised women in the kind of clothing they find attractive on a person. It’s for the male gaze and it’s not really subversive or new. Yeah, the line between ‘sexy’ and ‘sexist’ is a fine one, but I think this comic steps over the line?

Full Story: The Slow Bullet: Brandon Graham’s King City: My Continuing Adventures in being No Fun

(via Graham himself, who tweeted: “Here’s a article criticizing (in a lot of valid ways) the ladies of King city. I do still stand by the soap opera joke… Warheads is in a lot of ways me trying to grow past some of what I did in KC. I’m still cool with that stuff it’s just not where Im at now” [1] [2])

Ad·ver·sary: We Demand Better

From I Die You Die:

We were contacted a few days before leaving for Kinetik by Jairus Khan from Ad·ver·sary. He told us that he was planning a visual presentation for his set at the festival which he anticipated would attract a lot of attention, and wanted to speak to us about it. The presentation related to themes and imagery in the work of two other artists on the opening night Kinetik bill, specifically Combichrist and Nachtmahr. The presentation, which can be viewed here, or at the bottom of this post, openly critiques what Jairus perceives as the use of misogynist and racist tropes in those band’s music and publicity materials. We spoke to Jairus after seeing an early version of the video.

Full Story: Interview with Jairus Khan from Ad·ver·sary

See also:

Straight White Male: The Lowest Difficulty Setting There Is

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