TagMediapunk

A Eulogy for #Occupy

Quinn Norton wrote a lengthy piece on her experience as an embedded reporter at Occupy, from the hopeful early days through the aftermath of the evictions:

Because the GA had no way to reject force, over time it fell to force. Proposals won by intimidation; bullies carried the day. What began as a way to let people reform and remake themselves had no mechanism for dealing with them when they didn’t. It had no way to deal with parasites and predators. It became a diseased process, pushing out the weak and quiet it had meant to enfranchise until it finally collapsed when nothing was left but predators trying to rip out each other’s throats.

In other words, it fell to the “tyranny of structurelessness, a long-time problem for leaderless organizations. And the radical exclusivity ended up excluding almost everyone:

As the camps became darker, the women mostly left, and those who remained were grateful to just be left alone. By my count Occupy had dropped from as high as 40 percent women to less then 10 percent, in an atmosphere of sexual violence, bare intimidation and hatred. By then for a certain kind of occupier, anything with breasts was a target in the camps, either for scorn or being too sexy or being insufficiently sexy. It was never the majority, but the majority did nothing to stop it. They had a progressive stack in the GA that purported to let women speak first, but no one talked about the comments, the groping, the rumors of rapes.

One of the failures Norton identifies was the inability for both the GA and the Occupy media to self-critique. This lead to the media groups being propagandists enabling self-deception:

“One of the main reasons I wanted to have the PO separate from the GA, is I wanted, from the very beginning, a means within the process for booting people out. The GA had no such process,” he said.

His original idea was to tell positive stories from the camp. He worked with media teams from Boston, LA, Chicago, and New York, and traveled to other camps to get the stories out. In time, Rothstein came to see that Occupy’s media needed to tell all the stories of what was going on: the wonderful and the terrible. By then it was too late.

Full Story: Wired: A Eulogy for #Occupy

Another recent story on the failure of Occupy, by Thomas Frank, laid the blame mostly on the academic tone of Occupy. He makes a good point but I think overstates the case.

I’m hesitant to call Occupy “over,” what with the Rolling Jubilee and the ongoing occupation of foreclosed homes, but certainly the movement, as it originally existed, is over. But there is much to be learned from how things went down.

Liberal Bullying On Blog Comments

Ariel Meadow Stallings has written a good piece on “liberal bullying.” I thought this would be yet another “everyone needs to stop being so PC” type of post, but it isn’t:

I’m extra conflicted because I love observing and following the ways that language shifts. It’s exciting and fascinating to watch as the semantics of marginalized communities evolve. I recently had to talk to my aging lesbian mother and her partner about how the word “tranny” causes a lot of issues for folks in the transgender community. They’re totally aligned with the cause, and totally active in LGBT communities… and yet hadn’t gotten the latest memo.

Instead, Stallings is writing about uncivil blog comments meant to publicly shame. Here’s how Stallings identifies this behavior:

  • Focus on very public complaints. I can think of exactly one time when someone emailed their concern about problematic language. These complaints seem to be always intended for an audience.
  • Lack of interest in a dialogue. These complaints aren’t questions or invitations to discuss the issue. They’re harshly-worded accusations and scoldings (which I’ve written about before).
  • Lack of consideration for the context or intent. The focus is on this isolated incident (this one post, this one word, this one time), with de-emphasis on the author’s background, experience, or the context of the website on which the post appears.
  • And on a more stylistic note, these complaints are often prefaced with phrases like “Um,” and other condescending affectations.

Full Story: Liberal bullying: Privilege-checking and semantics-scolding as internet sport

(via Al Billings)

I suspect this bullying is counter-productive — attacking someone puts them on the defensive, making them try to find ways to justify what they’ve written, even if it’s insensitive, and find ways to disagree with the attacker.

Top Science Writers On Making Complex Subjects Accessible

The Guardian did a group interview of five of the six nominees for the the Royal Society’s Winton prize for science books 2012 — Steven Pinker, James Gleick, Brian Greene, Lone Frank and Joshua Foer.

Here’s an exchange between Greene and Pinker:

How has the formal, technical way scientists write journal papers affected popular science writing?

BG: I was looking back over some quantum mechanics papers from the 1920s and in one article the scientist described an accident in his laboratory when a glass tube exploded, a nickel got tarnished and he heated it to get rid of the tarnish – he went through the whole story himself in the technical article. You don’t really see that much these days. I don’t know if that is a one-off example, I haven’t done an exhaustive study, but have journal articles moved away from telling the story of discovery to just a more cut-and-dried approach?

SP: They have; I think that’s been documented. There is scientifically a problem with that, as opposed to narrating what happened. The problem is that since you’re under pressure from the journal editor to tell your story leading up to your conclusion without talking about all the blind alleys and accidents, it actually distorts the story itself because it inflates the probability that what you discovered is really significant. If you tried 15 things that didn’t work and one thing that did work and didn’t talk about the 15 that didn’t work, then the statistic that makes it significant is actually mistaken. The statistic has to be computed over all of the experiments you ran, not just the one that happened to work. In the social sciences especially, we’re seeing that there’s a lot of damage done by the practice of only reporting the successes and telling the story as if it was a straight line to a successful result.

Full Story: The Guardian: Science writing: how do you make complex issues accessible and readable?

Cult Favorite Magazine Arthur Coming Back To Print

Alan Moore Arthur Magazine cover

How many lives does counter culture tabloid Artur Magazine have? It suspended publication in 2007, but then came back a few months later. Then it was cancelled again, becoming an online-only publication before disappearing supposedly forever. It’s coming back again, this time as $5 an issue newspaper-format publication:

After a four-year sabbatical (faked death?), your beloved revolutionary sweetheart Arthur returns to print, renewed, refreshed, reinvigorated and in a bold new format: pages as tall and wide as a daily newspaper, printed in color and black and white on compostable newsprint, with ads only on the back cover(s). Amazing!

In partnership with Portland, Oregon’s Floating World Comics, Arthur’s gang of goofs, know-it-alls and village explainers are back, from Bull Tonguers Byron Coley and Thurston Moore to radical ecologist Nance Klehm to trickster activists Center for Tactical Magic to Defend Brooklyn‘s socio-political commentator Dave Reeves to a host of new, fresh-faced troublemakers, edited by ol’ fool Jay Babcock and art directed by Yasmin Khan. You want a peek at the contents? Sorry, compadre. That would be saying too much, too soon. Wait ’til Dec. 22, 2012: that’s right—THE DAY AFTER THE NON-END OF THE WORLD!

Please keep in mind… Arthur is no longer distributed for free anywhere. Those days are (sadly) long gone. Now you gotta buy Arthur or you won’t see it. Our price: Five bucks cheeeeeep!

You can pre-order the new issue here.

Jonah Lehrer And The Poverty Of “Big Ideas”

Lehrer spent much of August writing about the affair, trying to figure out where it had all gone wrong. He came to the conclusion that he’d stretched himself too thin. His excuses fall along those lines: He told Seife that his plagiarized blog post was a rough draft he’d posted by mistake. And his latest explanation for those fabricated Dylan quotes is that he had written them into his book proposal and forgotten to fix them later. Even by his own account, then, the writing wasn’t his top priority.

The lectures, though, were increasingly important. Lehrer gave between 30 and 40 talks in 2010, all while meeting constant deadlines, starting a family, and buying a home in the Hollywood Hills. It was more than just a time suck; it was a new way of orienting his work. Lehrer was the first of the Millennials to follow his elders into the dubious promised land of the convention hall, where the book, blog, TED talk, and article are merely delivery systems for a core commodity, the Insight.

The Insight is less of an idea than a conceit, a bit of alchemy that transforms minor studies into news, data into magic. Once the Insight is in place—Blink, Nudge, Free, The World Is Flat—the data becomes scaffolding. It can go in the book, along with any caveats, but it’s secondary. The purpose is not to substantiate but to enchant.

Full Story: New York Magazine: Proust Wasn’t a Neuroscientist. Neither was Jonah Lehrer

The next big idea? The end of big ideas. See:

The Atlantic: Let’s Cool It With The Big Ideas

(I could swear Wired had a similar column from the editor a couple months ago, but it doesn’t seem to be online and I toss my print editions out after I read them)

Evgeny Morozov: The Naked and the TED

Can Art Be Comics?

No, I’m not asking whether comics can be art — that’s a tired question that I think has been decisively answered in the affirmative. But if we look at Scott McCloud’s basic definition of comics, “juxtaposed pictorial and other images in deliberate sequence.” Does that include, for example, gallery exhibitions?

After all, what is an art gallery but a collection of juxtaposed pictorial images? Perhaps not all are in deliberate sequence, but at least some consideration is paid to how the pieces are arranged. And of course that’s to say nothing of paintings or other visual arts meant to be displayed in a sequence, such as the sequence of images in The Scrovegni Chapel and Alex Grey’s Chapel of Sacred Mirrors (to name the first two examples that spring to mind).

McCloud would seem to include art in his definition. He mentions hieroglyphs and Max Ernst’s “A Week of Kindness” in Understanding Comics. But overall fine art doesn’t get much attention. McCloud seems to imply throughout that comics is about storytelling, but his definition doesn’t include narrative, and surely there are examples of non-narrative comics.

Other definitions, such as David Kunzle’s would seem to exclude art (as well as hyroglyphs) like by definition. According to Jessica Abel and Matt Madden’s Drawing Words & Writing Pictures, Kunzle’s prerequisites for a comic strip include the following: “The medium in which the strip appears and for which it is originally intended must be reproductive in nature; that is, in printed form, a mass medium.”

That definition would toss gallery art right out then, since even though it may be reproduced on posters or in coffee table books, those aren’t the media for which it was originally intended.

But defining a medium by the intent of its creators is slippery, especially in an age in which artists may expect their work to be printed in some form. And what to do about the existence of art exhibitions that are deliberately created to be comics, such as Daniel Duford‘s Sleeping Giant (pictured below)?

daniel duford sleeping giant

It’s not a terribly important question — I’m not interested in seeking “legitimacy” from the arts establishment anyway. But I think it’s an interesting one.

Warren Ellis Interview On The New Aesthetic And More

Adrianne Jeffries interviews Warren Ellis:

I think the New Aesthetic is a series of observations. I think most of the trouble people have had with it comes from a misunderstanding of it as a movement.

The New Aesthetic is an act of noticing, as much as anything: we are already in a machine-vision world, we are already in a world where the digital is erupting into the physical, and we just didn’t really notice it, in the entire breadth of its creeping wave, until now. From my perspective, James Bridle collected all this shit up from public sources, put it all in one place for the first time and said “oh, shit.” Some people had real issues, it seems, with what James did next, which was to say, “Let’s start talking about what this means.”

It could become an artistic movement. But, to me, the New Aesthetic is about the sighting of the New Normal.

The Verge: Warren Ellis on futurism, the New Aesthetic, and why social media isn’t killing our children

I thought this line was interesting as well: “I think blogging is a muscle that most people wear out.”

This Week In Anonymity And Sexualization Of Strangers

A 15 year old girl committed suicide after months of harassment following topless photos of her circulating on the internet

A Tumblr was created to publish the identities of men who post “creepshots” to Reddit

Reddit finally shut the Creepshots subreddit down

Gawker unmasked Violentacrez, a Creepshots moderator who also started or moderated various other, shall we say “distasteful” subreddits.

Douglas Rushkoff Announced Next Book: Present Shock

Present Shock cover by Douglas Rushkoff

Douglas Rushkoff’s next book Present Shock: When Everything Happens Now will be published March 21, 2013.

Rushkoff discussed the idea of present shock back in 2010 The Edge Annual Question — 2010:

By surrendering my natural rhythms to the immediacy of my networks, I am optimizing myself and my thinking to my technologies — rather than the other way around. I feel as though I speeding up, when I am actually just becoming less productive, less thoughtful, and less capable of asserting any agency over the world in which I live. The result something akin to future shock. Only in our era, it’s more of a present shock.

I try to look at the positive: Our Internet-enabled emphasis on the present may have liberated us from the 20th century’s dangerously compelling ideological narratives. No one — well, hardly anyone — can still be persuaded that brutal means are justified by mythological ends. And people are less likely to believe employers’ and corporations’ false promises of future rewards for years of loyalty now.

But, for me anyway, it has not actually brought me into greater awareness of what is going on around me. I am not approaching some Zen state of an infinite moment, completely at one with my surroundings, connected to others, and aware of myself on any fundamental level.

Rather, I am increasingly in a distracted present, where forces on the periphery are magnified and those immediately before me are ignored.

He also discussed some of these themes in an interview in New Inquiry last May.

See also: Alex Pang‘s idea of Contemplative Computing. Pang has a book forthcoming as well.

1 Member Of Pussy Riot Freed After Appeal, Others Still In Jail

The Guardian reports:

A Moscow appeals court has released one of the jailed members of anti-Kremlin punk band Pussy Riot, but ordered two others to serve the remainder of their two-year jail term in a Russian prison colony.

Yekaterina Samutsevich, the oldest of the three women at 30, walked free into the arms of her father, after serving six months in a pre-trial detention centre after being found guilty of hooliganism motivated by religious hatred in August.

A panel of three judges accepted the argument of Samutsevich’s new lawyer that she had not participated fully in the group’s February performance of an anti-Putin “punk prayer” in a Moscow cathedral. Samutsevich had been kicked out of the cathedral shortly after entering, meaning she did not engage in the “aggressive movements” that had offended Russia’s Orthodox believers, she argued.

Full Story: The Guardian: Pussy Riot member freed after Moscow court appeal

(via Meredith Yayanos)

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