Taghorror

Questions and Answers with Cult Horror Movie Star Bruce Campbell

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Over the weekend some friends of mine went to the premier of “My Name is Bruce”, where Bruce Campbell himself conducted a question and answer session after the movie. I finally got to see the movie myself and it’s a hilarious parody of Bruce and his movies. If you like silly B-horror movie schlock with self-depreciating humor thrown in it, you’ll enjoy this movie. Here are some of the Q and A’s from that night:

Q– “You’re named after a king of Scotland!”

Bruce- “Yes, I was named after Robert the Bruce! Robert the Bruce of Scotland!”

Q– “Have you thought of doing a Celtic/Scottish style horror movie with kilts and swords?
We wanna see you in a kilt and waving a sword around.”

Bruce– “No, I hadn’t thought of that. I’m actually not Scottish, I’m descended from the Basque.”

Q–  “Well, they wear kilts too! How about it?! You can call it BruceHeart!”

Bruce– ” I like the way you think! What do you do?”

A– I’m a student.”

Bruce– “Well, you better stay with that!”

Q-“How many Hawaiian shirts do you own?”

Bruce– “I don’t know. I like to pick up goofy shirts. I hate wearing ties!  Is anybody here wearing a tie tonight?”  (silence)
“Good!”

Q– “Do you have any of the Elvis outfits from Bubba Hotep?

Bruce– “You know, I don’t have any Elvis suits. They all belong to the place that originally made them for Elvis. You can’t buy them, only rent them. So I don’t have any of those cool costumes at home in my closet.”

Q-What was your favorite movie to work on?

Bruce– “You mean like, the most pleasant circumstances to work in, or favorite movie to make?
If you have too good a time, it isn’t going to be that good of a movie. You have to work to make a good movie. You’re up early, working 12-16 hours a day. If it is not a pleasant time then you end up with a good movie.” (Basically he said that he enjoyed making movies and he really didn’t have a favorite.)

He also mentioned that he had the set for “My Name Is Bruce” built on his property in California. Now what can he do with it? A delivery man came to drop off a package, drove up the drive, got out and looked around with a look of befuddlement or amazement and said  “I didn’t know there was a ghost town out here. Is this a ghost town? Gold Lick [the name of the town in the movie]? Was this here all along?”

(Many thanks to the Jones’!)
(See also: A brief interview with Campbell “Cult Star Campbell Does Double Duty in Horror Comedy” via The Daily Herald)

Horror Bloggers United: A Roundtable with The League of Tana Tea Drinkers

“Blogging has become something of a pop culture phenomenon. It’s a virtual platform that gives everyone – from novice to novelist – a unique voice and presence on the vast World Wide Web. The ultimate in self-publishing, upgraded for the 21st century.

But like the virtual social networks that bring people from around the world together, it seems like a natural progression then that bloggers would branch out from their individual self-expression and seek group affiliation. In the horror arena, a group of stalwart bloggers joined forces earlier this year to form the peculiarly named League of Tana Tea Drinkers (or LOTT D). The brainchild of John Cozzoli, who has helmed his own long-running blog called ZOMBOS CLOSET OF HORROR which explores the horror genre as reflected in all media and pop culture, LOTT D now includes 29 member blogs and continues to grow. Impressive in its variety, the LOTT D boasts member blogs covering everything from Frankenstein to Godzilla, slasher films to zombies, and childhood terrors to comic books. Spend a few hours perusing the LOTT D’s member blogs and you’ll find everything you need for a serious horror fix — from serious film commentary to some of the funniest genre observations, insightful original essays to button-pushing opinion pieces, and heaps of useful book and films reviews from classic to current.

The mission of the LOTT D is outlined on its virtual homepage:

“Our mission is to acknowledge, foster, and support thoughtful, articulate, and creative blogs built on an appreciation of the horror and sci-horror genre. Horror bloggers are a unique group of devoted fans and professionals, from all walks of life, who keep the horror genre, in all its permutations and media outlets, alive and kicking. Often spending long hours to keep their blogs informative and fun, horror bloggers share their unique mix of personality, culture and knowledge freely to fans of a genre difficult to describe, but easy to love.”

DSM recently caught up with Cozzoli (aka ILoz Zoc) and five of his LOTT D compatriots for an informal discussion about this groundbreaking new consortium of horror bloggers. Joining him are Stacie Ponder, FINAL GIRL proprietress and AMC columnist extraordinaire, Lance Vaughan (aka Unkle Lancifer), co-creator of the childhood terror site KINDERTRAUMA, August Ragone , author and renowned authority on Japanese film and culture who helms THE GOOD, THE BAD, AND GODZILLA, John Morehead, academic and explorer of the social, cultural, mythic, archetypal, imaginative, creative, and even spiritual aspects of the fantastic at his blog THEOFANTASTIQUE, and Mike Petrucelli (aka Pax Romano), witty commentator on the queer subtext of horror films from BILLY LOVES STU.”

(via Dark Scribe Magazine)

Lovecraft: Fear of the Unknown Documentary – Director Frank Woodward Interview

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“The special Halloween double issue of Rue Morgue magazine included a number of interesting features, as usual, but one which caught my eye was a description of a new documentary on titled Lovecraft: Fear of the Unknown (Wyrdstuff Productions, 2008). This fim was directed and produced by Frank Woodward, and after getting in touch he graciously and enthusiastically talked about this production.

TheoFantastique: Frank, thanks for making this great documentary, and for allowing me to screen it for this interview. How did you come to develop a personal fascination with Lovecraft and how did it lead to this documentary coming about?

Frank Woodward: I first became aware of Lovecraft like most people, I expect. It was the Call of Cthulhu role playing game, mainly the monsters within. I’ve always been a monster fan and who could resist the tentacled beasties in CoC. That led to my reading some of the major stories… Call of Cthulhu, Pickman’s Model, Rats In The Walls. I have to admit, though, that my Lovecraftian knowledge was basic.

The desire to make a documentary was a more recent one. I occasionally produce DVD extras for Anchor Bay. There was discussion of doing a short bio of Lovecraft for the Re-Animator special edition. It didn’t happen for various reasons. By the time that decision was made, however, I had done quite a bit of research on the man. In some way I experienced what many of the people who’ve seen the documentary experienced. I was reminded how much I enjoyed Lovecraft’s work and wanted to throw myself headlong into learning more. Making this documentary was almost like a college course. I think that’s how all documentaries should be made. They should be a journey of discovery. The desire to learn all you can is why you bother making the film in the first place.”

(via TheoFantastique)

Stephen King’s God Trip

“In 1927, a little-known writer of horror stories named H.P. Lovecraft tried to put into words the secret of his diabolical craft. “The one test of the really weird is simply this,” Lovecraft wrote in the introduction to “Supernatural Horror in Literature,” “whether or not there be excited in the reader a profound sense of dread and of contact with unknown spheres and powers; a subtle attitude of awed listening, as if for the beating of black wings or the scratching of outside shapes or entities on the known universe’s utmost rim.”

That’s a mouthful, and yet I swear, two decades or so ago, I had the very experience that Lovecraft describes while on an overnight bus trip from Dallas to a Christian youth camp in northern Minnesota. Most of the other teen campers flirted or gossiped or joked around. Some endured the long hours by reading Scripture, and in their own way, may have been grappling with “the beating of black wings or the scratching of outside shapes and entities.” I was mesmerized by a less prescriptive but equally god-smitten work: Stephen King’s epic of apocalypse, “The Stand.”

This year, the novel “The Stand” turns 30, and far from fading into the dustbin of bygone bestsellers, King’s great tale of plague seems more prescient than ever. Fundamentalist religion, biological weapons, monster viruses, nuclear destruction, ecological havoc, mistrust of government, the breakdown of democracy — it’s all here. The 1,153-page novel recounts the story of a nasty airborne bug that decimates the population of the United States, leaving behind a remnant to wage a battle for the soul of humanity. The children of light are drawn to Boulder, Colo., where they follow a version of Moses named Mother Abagail, a 118-year-old black woman subject to supernatural visions, while the children of darkness gravitate to Las Vegas and come under the sway of a “dark man” named Randall Flagg, who wears faded blue jeans and worn cowboy boots and can turn himself into wolf, weasel and crow.

[..] I spoke to Stephen King recently about the novel 30 years on, his new collection of short stories, religious faith, presidential politics and the possibilities of the afterlife.”

(via Salon)

Choose Your Own Infection: The Outbreak

“Remember those Choose Your Own Adventure books from way back in the day? You know, the ones that read non-linearly and offered choices like:

If you decide to start back home, turn to page 4.
If you decide to wait, turn to page 5.

Of course you do. Well, director Chris Lund has done us one better: The Outbreak is a choose your own adventure film about-you guessed it-a zombie outbreak. Visit the site and as you watch the movie, you’re presented with choices you have to make in order to move the plot along. Depending on what you choose, a different sequence in the film is cued up. Decide on the right course of action, and you live on to the next sequence. Make the wrong choice, of course, and you die a brain-munchingly gruesome death.”

(The Outbreak via Tor)

Hammer Films has Risen from the Grave

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“Classic film fans lock up your daughters, take up your wooden stakes and prepare to battle the forces of darkness: Hammer Films has announced it’s called action on its first horror production for over 30 years. Principal photography began today in County Donegal on The Wake Wood, featuring Eva Birthistle, Aidan Gillen and Timothy Spall. David Keating is at the helm, directing a screenplay he co-wrote with Brendan McCarthy.

The suitably Hammeresque blurb explains: “Still grieving the death of nine-year-old Alice – their only child – at the jaws of a crazed dog, vet Patrick and pharmacist Louise relocate to the remote town of Wake Wood where they learn of a pagan ritual that will allow them three more days with Alice. The couple find the idea disturbing and exciting in equal measure, but once they agree terms with Arthur, the village’s leader, a far bigger question looms – what will they do when it’s time for Alice to go back?” Crikey. Hammer’s first production was The Public Life Of Henry The Ninth, way back in 1935. Its final cinematic curtain call came in 1979 with a rehash of Alfred Hitchcock classic The Lady Vanishes.”

(via The Register)

(Hammer Films site)

Monster Theory: Culture, Monstrousness and Ourselves

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“As I searched Amazon.com for reading materials related to the fantastic to add to my wishlist the description of Monster Theory: Reading Culture (University of Minnesota Press, 1996) struck me as intriguing: ‘Explores concepts of monstrosity in Western civilization from Beowulf to Jurassic Park.’We live in a time of monsters. Monsters provide a key to understanding the culture that spawned them. So argue the essays in this wide-ranging and fascinating collection that asks the question, What happens when critical theorists take the study of monsters seriously as a means of examining our culture?

‘In viewing the monstrous body as a metaphor for the cultural body, the contributors to Monster Theory consider beasts, demons, freaks, and fiends as symbolic expressions of cultural unease that pervade a society and shape its collective behavior. Through a historical sampling of monsters, these essays argue that our fascination for the monstrous testifies to our continued desire to explore difference and prohibition.’

Monster Theory is edited by Jeffrey J. Cohen who is associate professor of English and human sciences at George Washington University. Dr. Cohen agreed to discuss the collection of essays that make up this book, and in particular his contribution to the volume.”

(via TheoFantastique)

Call For Papers: Interdisciplinary Academic Study of Zombies

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“The Religion and Popular Culture group on Yahoo! recently issued the following call for papers: Call for Papers: An Interdisciplinary Collection of Essays on the Zombie.

We are seeking proposals for an interdisciplinary edited volume discussing the zombie from a wide variety of perspectives and within a wide range of contexts. We encourage submissions from any discipline, including but not limited to English literature, film studies, media studies, cultural studies, gender studies, queer studies, philosophy, religious studies, anthropology, sociology, history, psychology, economics, and political science. We especially welcome new approaches to the study of zombies. In addition to theoretical essays on zombies, we also welcome critical discussions of specific zombie films, novels, and graphic novels, including those both pre- and post-Romero.”

(via TheoFantastique)

Weird Tales covers

old weird tales cover

Old covers from the magazine that brought you H.P. Lovecraft and Robert E. Howard.

NooSFere

(via Boing Boing)

What is the best HP Lovecraft collection?

I’m almost afraid to admit it, but I’ve never read any H.P. Lovecraft. I know, I know. Cut me some slack, I’m young and there’s only so many hours in a day. So to remedy this situation I need to know what the best Lovecraft story collection is. Please recommend only one.

Also, the only Kafka I’ve read is “Metamorphosis,” and that was years ago. So I could use a decent Kafka collection as well.

Update: This is what I ended up getting:

The Best of H. P. Lovecraft: Bloodcurdling Tales of Horror and the Macabre

The Best of H. P. Lovecraft: Bloodcurdling Tales of Horror and the Macabre with an introduction by Robert Bloch (the Del Rey one, not the Createspace one)

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