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Lucid Dreamers May Help Us Understand Consciousness

December 28, 2013 / Klint Finley

Dorian Rolston on lucid dreaming research:

Lucid dreaming is unusual and unstable, she insists, perhaps only “an exception, an accident.” She grants that regular dreaming may serve some critical biological function—nightly information processing, say, or bodily temperature control. But lucid dreaming “is not meant to be.”

In a more ruminative moment, Voss confessed that lucid dreams might offer a privileged view into the evolution of consciousness in the brain: progressing from the primitive activity of “a cold-blooded animal” during non-REM sleep, to the sparks of real cognition of “a rabbit or cat” during regular dreaming, to the peak of self-awareness, reasoning, and memory during lucid dreaming, in which the dreamer at last possesses “a human brain, a higher-order conscious brain.”

Full Story: Matter: The Dream Catcher

Literary and Arts Dream Journal Seeking Submissions

January 21, 2013 / Klint Finley

One of my old Key 23 colleagues, Tait McKenzie Johnson, is editing a new literary journal and seeking submissions:

The Rapid Eye is a new literary and arts dream journal offering writers, artists, and other dreamers the freedom to create and share high quality fiction and art drawing on dreams and other states of non-rational consciousness.

We are currently in the process of getting the first issue of our magazine off the ground. If you’ve ever had a wild and compelling dream that you’ve been dying to share with the world, please consider submitting to The Rapid Eye.

For more information on dream fictions and art, check out this blog post: Why dream fictions? Why a literary and arts dream journal?

Check back soon for more updates, including a series of essays on the role of dreams in fiction. And in the mean time please follow us @rapideyemag.

Rapid Eye Magazine

Dolphins Talk in Their Sleep – In Whale

February 17, 2012 / Klint Finley

From ABC News:

News has come from France that some captive-born dolphins there have been recorded “talking in their sleep” — and talking in Whale, no less, not Dolphinese.

The scientists involved say this would be the first time that dolphins have been recorded mimicking sounds a significant period of time after hearing them.

ABC News: Dolphins Reported Talking Whale in Their Sleep

(via Cole Tucker)

Selections from The Dream Manual Artist Michael Skrtic – Technoccult Interview (Part 2)

February 24, 2011 / Klint Finley

Dream Manual Now tell me what I am here for

Selections from the Dream Manual is an “aesthetic grimoire.” On one level, it’s a collection of cut-up texts by Bill Whitcomb (occasional Technoccult guest blogger and frequent commenter) accompanied by collage paintings by Michael Skrtic for each line of text. On another level, it is a collection of excerpts from the employee handbook of the Ministry of Dreams. On both levels, it’s a remarkable and engaging work. As Antero Alli writes in his foreward, “Look at them as meditation portals to the cinematic dreamscapes of the Other Side, or if you prefer psychological terms, the Unconscious (and naturally “other” to the conscious Ego). Or, if you side with the Australian aborigines, the Dreamtime.”

You can learn more about it, and preview it, here. You can buy it from the publisher here or from Amazon.com.

Part one of this interview can be found here.

I found it interesting that everything right down to the typeface in the book is meaningful. Can you talk a bit about that?

Yeah. It’s all about packing. Density is what it is. It’s symbol density. How much can you pack into each page, each image, and each combination? If you start with the text, you got some very plain, random text that Bill assembled Burroughsian-style. He was assembling lots of text ala Burroughs and Gysin. He made these little stanzas that were just starkly beautiful, but were rather plain in and of themselves…they’re just sort of…pronouncements, but if you start with those and you start stacking images, so that the words couple with the images. Some years after the original dream manual was created Bill created the magical alphabet called the Alphabet of Dreams for another purpose. And as I was painting these things, the first paintings, I thought “Well, hmm, the Alphabet of Dreams.” I needed a textual element. Originally, I was thinking about sort of lettering the text comic book style on the paintings and then thought “Wait a minute, if I grab the Alphabet of Dreams which has these runic…each letter has an association.” In typical Bill-manner, each letter has two or three pages of associations, colors, days of the week, and astrological signs. So I thought that if I just transliterated Bill’s original text into the Alphabet of Dreams, I could use that as a pictorial element. It stacked another layer of symbolism on top of just the images coupled to the text. As we built this thing, we just kept packing and packing to point where, as you say, even the fonts Pentagramm and Pentagraf are based on a five-point star. The idea is that all this should act on you in a beneath-the-consciousness sort of way. Indeed, everyone we’ve been able to get to look at it, to play with it, to really read and experience it, has been totally blown away. Most recently, my neighbor who doesn’t read much – he works with the Forestry Committee in Sweden – his family are farmers. He has absolutely no interest in any odd occult stuff, but he read it from front to back and has been asking questions. He thinks this is completely fascinating, so even unlikely people seem to open it and get immediately lost in all the layers of symbols and meaning in it. You’ve got the text layered on there, and there’s that lovely little bit of foreword matter, and some of those strange line drawings that are placed about, and then the final end-piece. I think that’s one of the most interesting parts of the book – that last piece where we listed the image sources. All of these things came from airline magazine, or French fashion magazines while I was travelling through France or postcards from Tokyo. That just ties it to the rest of the world. Finally, as we were assembling the book, Bill wrote these really lovely descriptions of each of the paintings. Not just a dry description, but sort of a poetic description that provides you another route through it. In a way, I think Bill and I were both heavily inspired by the Dictionary of the Khazars. The Dictionary of the Khazars is really a sort of hypertext novel.

That was mentioned in the introduction. When was that published?

You know, it would have to be the early 80’s. I could actually check if you want, but it’s upstairs.

I can look it up online.

I’m sure there’s even a hypertext version these days – a true hypertext version.

Dream Manual I Could Use Your Help

As Antero Alli points out in the foreword, you and Bill avoid the question of what dreams are and what they mean. Do you have an opinion on that?

At different points in my life, I’ve had different answers with different degrees of certainty. I don’t know what dreams are. I’ve had prophetic dreams. I’ve had dreams that seemed just totally weird. As I was learning to speak Swedish fifteen years ago, I used to dream about John Wayne talking to me about Swedish. It’s a combination of prophecy, and processing daily actions, and you mind spinning loose and just relaxing and fantasizing, like watching TV, I think. No. I have no definitive answer about what dreams are.

Since you’ve just finished this seven year project, what are you going to do now or what are you going to do next?

There are two projects I’m working on right now that are totally unrelated or maybe they are, in an odd sort of way. I’m working on a children’s book called “When Gaia Dreams the World.” I’m doing the text and images for that, but that’s sort of in outline stage at the moment. At the same time, I’m working with Bill Whitcomb on the “The Hard-Boiled Tarot.” It’s a Tarot deck which uses modern popular culture genres like Weird Science, True Romance and Thrilling Detective Stories as suits. Like Selections from The Dream Manual, both of these projects deal with the dreams and stories we tell ourselves about the world around us.

Back to part one…

Selections from The Dream Manual Artist Michael Skrtic – Technoccult Interview (Part 1)

February 17, 2011 / Klint Finley

Selections from the Dream Manual Try This Experiment

You can learn more about it, and preview it, here. You can buy it from the publisher here or from Amazon.com.

Part two of this interview can be found here.

Michael currently lives in Sweden, but is a true citizen of the world. I caught up with him by telephone to talk about the Dream Manual, his relationship with Bill and what he’s working on now. Tune in next week for part 2 of this interview.

Klint Finley: What possessed you to undertake this process of creating a collage painting for every line of Bill’s original Dream Manual?

Michael Skrtic: The Dream Manual appeared first in 1984 or 1985 in a magazine called The Negentropy Express, which was an APA (an amateur press association) by the Society for Creative Thought. I was one of the founding members of the Society for Creative Thought and I was immediately taken with Bill’s original text and the original short little collage things that he did to accompany the text. It sort of followed me around since then. In the early 90s, I had just moved to Stockholm and I was looking for a project. I thought, ah, I know what I’ll do, I’ll colorize Bill’s original collages, so I blew them up and I colorized a couple of pages, and then I got involved with something else. Fast forward to 2003. I had a new studio and I’d just finished painting strange diagrams on the floor to get the mojo right, so I started thinking about the Dream Manual as a possible thing to do. I started looking at it and realized that I actually could – that’s basically it.

I started thinking about all the places I’ve been, collecting collage material. I’ve been collecting collage material for many, many years. Each of the Dream Manual images has touchstones to everywhere I’ve been and all the other images I’ve gathered, so I started putting them together to see where I’d end up. That’s how it started. It took seven years of work from the second time I started. I started painting and spent about six years painting and another year with Megalithica Press getting the book ready for publication. That’s the physical story of the Dream Manual.

Selections from the Dream Manual cover

What states of altered consciousness did you employ while creating the collages and paintings?

None. [laughs] I was drawing on a rich reserve of that. But, painting is an altered state of consciousness. I have a very active style of painting, so I’m standing up and I’m sorting through hundreds and hundreds of images just stacked up in front of me. I’m going through these processes of, in a way, accreting the paintings. I’d step into my studio – which is a magical workspace – and start sorting pictures and to see how they would go with different paintings. Often, I was working on three, or four, or five paintings at once. It’s definitely an altered state of consciousness. It’s a magical state of consciousness. It’s sort of like meditation in motion – I guess that’s how I’d classify it.

Did you have any interesting dreams while creating this work? That you can tell us about?

You know, that’s a hard question because I have really interesting dreams all the time, but nothing really stood out. After I was done, there have been a couple of occasions where I felt, as we were creating the book, we were sort of opening a doorway to the Ministry of Dreams. The Minister of Dreams as a character and the Ministry of Dreams as an imaginary place became quite real during the period we worked on these things. Bill and I would talk three to five times a week during the time when we were working on the Dream Manual project. He’s on the West Coast, as you are, so I would get up at five o’clock in the morning and I’d go paint for an hour and then I’d call Bill and we’d talk for half an hour. I’d have morning coffee with Bill after I’d done my painting and he’d have his tea in the evening with me. Sort of a Nokia moment.

So you were in contact with him every day while you were working on this.

Basically. Four or five times a week. A lot. We’ve actually spent more time over the telephone than we have face to face over the time we known we’ve known each other. We’ve lived together a couple of times in Florida and in Texas, but most of the time we’ve spent with each other has been incorporeal.

Dream Manual Realized

Did you meet through the Society for Creative Thought?

That’s kind of funny. We’d heard about each other for two or three years before we actually met. I was living in Tallahassee, Florida. It was the beginning of the 80s and I had started a group on campus called the Pagan/Occult Discussion Group. We we’re trying stuff out. We were a bunch of people who had read a lot and were experimenting. It started as a discussion group, but that lasted about two meetings, until we said, hey let’s try some stuff. Bill was living in Thomasville, Georgia, about an hour north of Tallahassee, and a lot of the people in the Pagan/Occult discussion group knew Bill. So, for about two or three years, we had been hearing about each other. We finally met at a very strange party and both of us had the same reaction, namely “Wow, I’m supposed to meet this guy?” We were mutually unimpressed with each other.

Shortly thereafter we met again, and this time hit it off. He used to climb through the windows at night on weekends. That was
his favorite mode of entry to the house. He’d get done with work in Georgia and would drive down to Tallahassee and, usually on Friday night about one or two morning, I’d find Bill climbing through my window.

Onward to part two…

Sleeping Protects Memories From Corruption

February 5, 2011 / Klint Finley

sleeping woman

Replaying memories while people are awake leaves their memories subject to tinkering. But reactivating memories during sleep protects them from interference, researchers in Germany and Switzerland report online January 23 in Nature Neuroscience.

The finding shows that the brain handles memories differently during sleep than while awake, says Sara Mednick, a cognitive neuroscientist at the University of California, San Diego who was not involved in the research. Armed with this new knowledge, she says, therapists may be able to destabilize traumatic memories and overwrite the bad memories with good ones, then solidify the new memory with a nap.

Wired: Sleeping Protects Memories From Corruption

(image by mollyollyoxenfree)

Scientist Invents New Method for Possibly Reading Minds, Recording Dreams

October 27, 2010 / Klint Finley

dream recording

Dr Cerf makes his bold claim based on an initial study which he says suggests that the activity of individual brain cells, or neurons, are associated with specific objects or concepts.

He found, for example, that when a volunteer was thinking of Marilyn Monroe, a particular neuron lit up.

By showing volunteers a series of images, Dr Cerf and his colleagues were able to identify neurons for a wide range of objects and concepts – which they used to build up a database for each patient. These included Bill and Hilary Clinton, the Eiffel Tower and celebrities.

So by observing which brain cell lit up and when, Dr Cerf says he was effectively able to “read the subjects’ minds”.

He admits that there is a very long way to go before this simple observation can be translated into a device to record dreams, or dream catcher. But he thinks it is a possibility – and he said he would like to try.

BBC: Dream recording device ‘possible’ researcher claims

Cerf also mentions the possibility of reading people’s thoughts when they are in comas. It seems like this could other, more dubious applications as well.

(via Wade)

Can Consciousness be Measured Using Information Theory?

October 1, 2010 / Klint Finley

measuring consciousness

But Dr. Tononi’s theory is, potentially, very different. He and his colleagues are translating the poetry of our conscious experiences into the precise language of mathematics. To do so, they are adapting information theory, a branch of science originally applied to computers and telecommunications. If Dr. Tononi is right, he and his colleagues may be able to build a “consciousness meter” that doctors can use to measure consciousness as easily as they measure blood pressure and body temperature. […]

For the past decade, Dr. Tononi and his colleagues have been expanding traditional information theory in order to analyze integrated information. It is possible, they have shown, to calculate how much integrated information there is in a network. Dr. Tononi has dubbed this quantity phi, and he has studied it in simple networks made up of just a few interconnected parts. How the parts of a network are wired together has a big effect on phi. If a network is made up of isolated parts, phi is low, because the parts cannot share information.

But simply linking all the parts in every possible way does not raise phi much. “It’s either all on, or all off,” Dr. Tononi said. In effect, the network becomes one giant photodiode.

Networks gain the highest phi possible if their parts are organized into separate clusters, which are then joined. “What you need are specialists who talk to each other, so they can behave as a whole,” Dr. Tononi said. He does not think it is a coincidence that the brain’s organization obeys this phi-raising principle.

New York Times: Sizing Up Consciousness by Its Bits

(Thanks Bill!)

How Can You Control Your Dreams?

August 19, 2010 / Klint Finley

how to control your dreams

Scientific American has an interesting interview with Deirdre Barrett, assistant clinical professor of psychology at Harvard Medical School and author of The Committee of Sleep: How Artists, Scientists, and Athletes Use their Dreams for Creative Problem Solving-and How You Can Too

So how can you problem-solve in a dream?

Although any kind of problem can make a breakthrough in a dream, the two categories that really crop up a lot are things where the solution benefits from being represented visually, because the dreams are so vivid in their visual-spatial imagery, and when you’re stuck because the conventional wisdom is just plain wrong.

You may have heard the example of August Kekulé and the benzene ring, which represents both these themes. He was thinking that in all nonchemical molecules, the atoms were lined up in some kind of straight line with 90-degree side chains coming off it. Once he knew the atoms in benzene, he was trying to come up with arrangements of them that were straight lines with side chains and it just wasn’t working. Then he dreamt of the atoms forming as a snake, eventually reaching around with the snake’s tail in its mouth. It seems exactly related to the fact that the prefrontal lobes that control censorship are, on average, much less active during dreams.

If you want to problem-solve in a dream, you should first of all think of the problem before bed, and if it lends itself to an image, hold it in your mind and let it be the last thing in your mind before falling asleep. For extra credit assemble something on your bedside table that makes an image of the problem. If it’s a personal problem, it might be the person you have the conflict with. If you’re an artist, it might be a blank canvas. If you’re a scientist, the device you’re working on that’s half assembled or a mathematical proof you’ve been writing through versions of.

Equally important, don’t jump out of bed when you wake up—almost half of dream content is lost if you get distracted. Lie there, don’t do anything else. If you don’t recall a dream immediately, see if you feel a particular emotion—the whole dream would come flooding back. [In a weeklong study I did with students that followed this protocol] 50 percent dreamed of the problem and a fourth solved them—so that’s a pretty good guideline, that half of people would have some effect from doing this for a week.

Scientific American: How Can You Control Your Dreams?

(via Kyle)

3 Novels To Read if You Liked Inception

July 30, 2010 / Klint Finley

Maze of Death

Maze of Death by Philip K. Dick.

Inception seems to owe more than a little to Philip K. Dick’s reality-bending sci-fi yarns. In Maze of Death, which takes place in a world in which god seems to be an objectively real entity, several down-and-out misfits are assigned to work on a harsh, mostly uninhabited planet. But after losing radio contact with their employer they find themselves stranded without even knowing what their assignment is.

Hard-Boiled Wonderland

Japanese author Haruki Murakami is a master of writing surreal, dream-like novels. Hard-Boiled Wonderland and the End of the World revolves around a “calcutec,” who uses his brain as a type of encrypted storage. Companies hire him to store securely store trade secrets. Until, of course, something goes wrong.

Hard-Boiled Wonderland and the End of the World by Haruki Murakami

Neuromancer by William Gibson

Neuromancer by William Gibson.

I thought of Inception initially as a Dickian film, but my friend Ian pointed out it’s actually more of a Gibsonian film. Neuromancer, Gibson’s first novel, is a heist story taking place in virtual reality. Inception fans should feel right at home.

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