TagComic Books

Grant Morrison interview at Suicide Girls

Good interview, he talks about his upcoming novel, among other things.

It’s about an ex-special forces SAS soldier who gets kidnapped and is forced to write the manifesto of a terrorist group. The terrorist group is composed of teenagers who claim to come from outer space [laughs]. It’s a bit like ‘Children of the Damned’ meets ‘A Clockwork Orange’ and the basic idea is what might happen if children decided to go to war with adults. The hero has to write the account of what happens and I have to write about him writing it.

Link (via No Touch Monkey!)

Funny fake interview with Grant Morrison, silly upcoming Alan Moore items

Fanboy Rampage is a comics satire column I stumbled across today while searching for a reference to Grant Morrison’s comments about Dr. Octagon for this Key 23 thread.

(fake) Grant Morrison interview:

Grant Morrison: Oh, yes. I find with New X-Men, the more quickly I write them, the better they turn out. I had gotten to the point where I was writing an issue a day, but that really wasn’t turning out satisfactorily. Now, I’m producing an issue every forty-five minutes or so.

Paul Gravett: An entire issue. How can you do such a thing?

Grant Morrison: Magic. Literally.

Paul Gravett: Yes, well, I’ve been meaning to ask about that, since you’ve made your stance on magic well-known. What sort of magic are you talking about, exactly?

Grant Morrison: Well, the term “magic” encompasses many different specialties and disciplines, and –

Paul Gravett: No, I mean, when you say “I’m producing an issue of New X-Men every forty-five minutes because of magic,” what do you mean by magic, in that exact context?

Grant Morrison: In that context?

Paul Gravett: Yes.

Pause.

Grant Morrison: Red Bull and crystal meth.

It gets better.

Upcoming exploitative Alan Moore items:

Alan Moore’s Letters to Penthouse Forum, Vols. I-IV: Don’t be fooled. These four volumes from Blood Money Press, enclosed in a lovely slipcase, actually detail only one letter, despite the title. Running a total of two hundred pages per volume, this letter comprises a sexual encounter between Alan Moore, two women, and a coatrack in West End. Volume I, for example, is a complete psycho-geographical and mythico-historical study of West End where the encounter happened, and apparently the digression on the evolution of coatracks (in Volume III) is a red-hot page-turner. There’s also an extensive endnotes section by the editors, contrasting, say, the original opening to the letter (“Dear Penthouse Forum: I recently ejaculated upon the face of History, allowing the orgasmic unfettering of shackled feminine mystery, and in many ways not only is Superman to blame, but Beano and a lecherously inclined coatrack as well.”) with one revised with an eye to publication (“Dear Penthouse Forum: I’ve always been a big fan of your letters but thought they were more than likely made up. However, something just happened to me that I just had to write to you about, and besides what is all of human history but a mutually agreed fictional construct, anyway? If it gets me and a very naughty coatrack a bit of action, who’s to say the world’s worse for it?”). No illustrations, but unless you’re as much a furniture fancier as Mr. Moore, that may be for the best. Four books in slipcase, five hundred dollars for all. Yikes.

The Filth Plus: “special features” for Morrisons comic

I just found dvd special features-esque section on Grant Morrison’s Crack! Comicks site. Interesting stuff!

Crack! Comicks: The Filth Bonus Features

There’s a New World Coming

cursegod.jpg

Christian apocalypse comic PDF.

There’s a New World Coming

(via Abstract Dynamics)

Osamu Tezuka’s Phoenix

A couple years ago I read this mind-bending sci-fi epic tragedy, Phoenix: a Tale of the Future by Osamu Tezuka. Tezuka is to eastern comics what Will Eisner and Alan Moore are to western comics. And then some. Tezuku is considered to be the father of manga and created over 150,000 pages of manga and over 60 animated movies and series before his death in 1989. The Phoenix saga was his most ambitious work, but he died before he could finish it. I’m pretty sure A Tale of the Future was the only book of the saga available in English at the time I read it, but now there’s three more books available. I can’t wait. Don’t let the cheesey covers fool you, this is some serious reading.

Wikipedia entry on Phoenix.

Some other books of note: Adolf and Buddha.

New comic from Alan and Leah Moore: Albion

I’ve got comics on the brain right now, obviously. Looks like Alan Moore’s not taking such a long vacation from comics after all. Wildstorm has acquired the rights to the IPC characters (a bunch of 60s British super heroes):

“To British comic creators, this really is the equivalent of DC’s silver Age characters – their versions of Green Lantern, the Flash, Hawkman and all of that,” Dunbier said. “If you talk about the original artist on Steel Claw, Jesus Blasco, he’s spoken about in hushed tones – everyone talks about whether or not his art was better on Steel Claw or on Return of the Claw.

Newsarama: INSIDE THE DC-IPC DEAL

And here’s more from Leah Moore, Alan’s daughter.

Superheros and the City

Guardian book review of Matters of Gravity:

His final chapter is the best: a reading of superheroes in their various urban environments that is studded with lovely aperçus. Bukatman draws an analogy between the 1811 imposition of Manhattan’s grid street system and the rectilinear layout of traditional comic strips which was subsequently exploded and dissolved for artistic effect. The strange fact that superheroes always live in big cities persuades him that the liberating sight of Superman flying, Spider-Man swinging or Batman leaping through the skylines is again an attempt to domesticate the dehumanised concrete sprawl. Superman, Bukatman says, “represented, in 1938, a kind of Corbusierian ideal. Superman has X-ray vision: walls become permeable, transparent. Through his benign, controlled authority, Superman renders the city open, modernist and democratic; he furthers a sense that Le Corbusier described in 1925, namely, that ‘Everything is known to us’.”

(via City of Sound)

Jack Black to star in Green Lantern movie

Unbelievable. Jack Black will be starring in a Mask-esque comedy version of Green Lantern:

As I understand it, DC Comics tried desperately to dodge this bullet, but ultimately, they don’t have the right to veto something if Warner Bros. really wants to make it happen. This is the problem with the way DC’s deal with their corporate overlords is structured. Their hands are tied. As much as they are aware of the problem with this approach to the material, they just have to sit back and watch it happen along with fans of the character and the rich mythology that has been established over the long run of the various GREEN LANTERN titles.

Ain’t It Cool News: All Those Rumors About GREEN LANTERN… They

(thanks Brenden).

I wonder if Hal’s Emerald Attack Advancement Team will threaten to burn down Black’s house now?

Constantine

Straight to Hell points out that the trailer is online, but not everyone likes K. Reeves as J.C.

(speaking of movie trailers, the one I can’t wait to see is casshern, even though I don’t understand anything they’re talking about in the trailer.)

Philip K. Dick’s Religious Experience

[…] an interesting graphic interpretation of a series of events which happened to [Philip K.]Dick in March of 1974. He spent the remaining years of his life trying to figure out what happened in those fateful months.

This eight page graphic novel (Weirdo #17) is archived on the Internet for your enjoyment.

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