TagComic Books

Jack Kirby: Gods, Myths, and UFOs

Isn’t it strange that our mythical Gods and Goddesses live “up there”- as opposed to the terrible spirits and demons who reside in the hot, fiery core of the regions “down there?” Can it be that some part of us has its roots in deep space? Are we descended from a species that is not planet bound? There, again, is the eternal question! Why is there this mass obsession with the sky?

Despite the numerous “saucer flaps,” and the intriguing speculations concerning artifacts of dead civlizations, is it the opinion of this writer that the true revelations which will lay bare our beginnings are still matters for the distant future. Our capabilities for achieving the truth are unfortunately too limited in this age. The hope lies with the evolution of instruments forged in the technical tinker shops of today. When they’ve reached the proper stage, they will guide our hands to the truth.

Full Story: Jack Kirby.

(Thanks James K!)

The Moon and Serpent Bumper Book of Magic by Alan Moore

Alan Moore’s grimoire due in 2009 (or with the anticipated delays, 2010). Only 2 or 3 years to go…

“Splendid news for boys and girls, and guaranteed salvation for humanity! Messrs. Steve and Alan Moore, current proprietors of the celebrated Moon & Serpent Grand Egyptian Theatre of Marvels (sorcery by appointment since circa 150 AD) are presently engaged in producing a clear and practical grimoire of the occult sciences that offers endless necromantic fun for all the family. Exquisitely illuminated by a host of adepts including Kevin O’Neill, Melinda Gebbie, John Coulthart, Jos? Villarrubia and other stellar talents (to be named shortly), this marvelous and unprecedented tome promises to provide all that the reader could conceivably need in order to commence a fulfilling new career as a diabolist.”

via Top Shelf Productions

Harvey Pekar on Letterman, 1988

That post about Brother Theodore, which included links to clips of Theodore on the Letterman Show in the 80s, reminded me of Harvey Pekar‘s appearance on the show. The video’s above and also check out:

The In These Times article Pekar wrote about the ordeal, under a pseudonym.

New The League of Extraordinary Gentlemen, The Black Dossier, volume out

I suppose harder core comic book and Alan Moore fans than I already know this: but Alan Moore and Kevin O’Neill’s newest LOEG book came out this week.

Free preview here.

Buy Black Dossier at Amazon.

The Revolt of the Comic Books

revolt of the comic books

Excellent article on the attempts of superhero comics to deal to critique American politics, and how they fail:

The Superhero Registration Act is a straightforward analogue of the USA PATRIOT Act; the rhetoric of its opponents could have been cribbed from an ACLU brief. But under scrutiny, their civil libertarian arguments turn out to hold very little water in the fictional context. The “liberty” the act infringes is the right of well-meaning masked vigilantes, many wielding incredible destructive power, to operate unaccountably, outside the law — a right no sane society recognizes. In one uneasy scene, an anti-registration hero points out that the law would subject heroes to lawsuits filed by those they apprehend. In another, registered hero Wonder Man is forced to wait several whole minutes for approval before barging into a warehouse full of armed spies from Atlantis. Protests about the law’s threat to privacy ring a bit hollow coming from heroes accustomed to breaking into buildings, reading minds, or peering through walls without bothering to obtain search warrants. Captain America bristles at the thought of “Washington … telling us who the supervillains are,” but his insistence that heroes must be “above” politics amounts to the claim that messy democratic deliberation can only hamper the good guys’ efforts to protect America. The putative dissident suddenly sounds suspiciously like Director of National Intelligence Mitch McConnell defending warrantless spying.

I haven’t read Ellis’s Black Summer yet (I have issue 0, just need to find the time), but I suspect it falls into the same trap: Horus’s murder of the president is little different from the US’s invasion of Iraq.

Full Story: American Prospect).

(via American Samizdat).

Please as Punch: New painting by Jim Woodring

pleased as punch by jim woodring

Visit Woodring’s blog for larger image.

Galactus is coming!

galactus is coming

galactus is coming

YMB’s crack investigative team has unearthed the long rumored, but never confirmed, collaboration from 1983 between Marvel’s Chairman Emeritus Stan Lee and religious comic tract creator Jack Chick.

Long out of print and now only infrequently stumbled upon in the odd truck stop bathroom (as all good religious witnessing tracts should be) YMB is now able to present to you “Galactus is Coming!”

Full Comic: Your Mom’s Basement.

(Thanks Katrina!)

See also: First Church of Galactus.

Exterminators: the front line in the human/insect war

exterminators comic

New piece by me on Alterati:

‘Total chemical warfare against insects.’

That’s one of many proposals from Otto Muehl’s nihilistic ZOCK Manifesto. It’s the sort of thing most environmentalists would, at best, scoff at (or, at worst, give you a several hour lecture on the importance of biodiversity in ecosystems). In college, I once knew a guy who decided to live in harmony with the lice that had made his head a home. But that didn’t last more than a week. Even the most militant conservationist will break out the high power chemicals when their home is infested with cockroaches or ants, or if their body is plagued with lice or scabies.

Ever since I saw the mockumentary The The Hellstrom Chronicle when I was a teenager, I’ve been unable to forget the notion that humans and insects are at perpetual war. A war that we are losing.

I don’t know if Simon Oliver was influenced at all by Hellstrom Chronicle, but his comic Exterminators sure seems to detail the front lines of this imaginary war.

Full Story: Alterati.

Buy Exterminators vol. 1.

Alejandro Jodorowsky interview

Alejandro Jodorowsky

You’ve described your films as ‘initiation cinema’ and ‘healing cinema’, can you talk about what this means.

In order to talk about initiation and healing cinema, we need to talk about the ?industry’ of movies. The movie industry is a business for entertainment. And who controls this business?… The tastes and demands of normal people, no? But normal people represent mediocrity, not art; their entertainment is vulgar and gives you nothing with which to change your life. It’s like a cigarette; you smoke tobacco, and it gives you nothing, unlike marijuana, which always gives you something. That is the industrial picture.

In order to think about the ?initiatic’ picture, we need to break with industry. The goal of industry is to make a lot of money – this is the measure of a film’s art. Three hundred million dollars – it’s a masterwork! If it doesn’t make money, it’s an awful picture, a failure. But the initiatic picture doesn’t work with money, it works with soul, with spirituality. A lot of spirituality is a good picture, lack of spirituality is a bad picture. It’s different.

And then, what is it to heal somebody? In reality, the biggest illness is not to be what you are but to be what the other wants you to be – the family, the society, the culture. They tell you ‘You need to be like this, with these morals, with these feelings, with this economy, with this political thing, with this religion’. And then, you go and sign a form that puts you into a spiritual jail for your entire life. The initiation, initiatic cinema, frees you from all these forms, from the artificial world where you started out in the belly of your mother.

Initiating – the art initiation – reveals to you the hell, this prison, and shows you how to escape from it. And to heal you is to give you the opportunity to be yourself and to have your own opinion. Hitchcock, in movies, is an ill person. Why? Because he has disguised himself as a genius of movies, but in reality, he’s making his movies in jail, because he’s saying, ‘That is a system that will make terror. This, the public will love. There, they will be anguished.’ He’s directing your emotions; everything is done to hypnotize you in order to react in a certain way.

In a healing picture, they don’t say you need to react like that. You will react as you react!

Full Story: Fortean Times.

Interview with Invader artist Ian McEwan

invader

James Curcio interviews artist Ian McEwan (aka Popjellyfish).

So yeah, I recommend studying Tarot imagery to artists to better inform their art. Especially illustration, and I’m only beginning to play with this, but I can depict emotional states more vividly when I associate a related card to it. Say, even in a generic superhero story, a villain’s plot is foiled. He has an EPIC FAIL moment, where he’s enthralled in the feeling that all is lost. If I want to depict that moment, I’d keep in mind the ten of swords, which Crowley also called ‘Ruin’. And for the hero who just saved the day, probably major 19: The Sun, Resplendant triumph and joy.

Full Story: Alterati (includes download of first issue of Invader).

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