Geeknerd compares recently released Watchmen movie still with panels from the comic.
(via Shatter).
Alan Moore’s grimoire due in 2009 (or with the anticipated delays, 2010). Only 2 or 3 years to go…
“Splendid news for boys and girls, and guaranteed salvation for humanity! Messrs. Steve and Alan Moore, current proprietors of the celebrated Moon & Serpent Grand Egyptian Theatre of Marvels (sorcery by appointment since circa 150 AD) are presently engaged in producing a clear and practical grimoire of the occult sciences that offers endless necromantic fun for all the family. Exquisitely illuminated by a host of adepts including Kevin O’Neill, Melinda Gebbie, John Coulthart, Jos? Villarrubia and other stellar talents (to be named shortly), this marvelous and unprecedented tome promises to provide all that the reader could conceivably need in order to commence a fulfilling new career as a diabolist.”
I suppose harder core comic book and Alan Moore fans than I already know this: but Alan Moore and Kevin O’Neill’s newest LOEG book came out this week.
Queen Elizabeth Hall, London, March 2007
(via Only Maybe Blog).
London: City of Disappearances is a 655 page anthology with over 50 contributors, including: Ann Baer; J.G Ballard; Paul Buck; Brian Catling; Driffield; Bill Drummond; Tibor Fischer; Allen Fisher; Bill Griffiths; Lee Harwood; Stewart Home; Tony Lambrianou; Rachel Lichenstein; Michael Moorcock; Alan Moore; Jeff Nuttall; James Sallis; Anna Sinclair; Stephen Smith; Marina Warner; Sarah Wise.
Citizens disappear constantly, along with their homes, artifacts, buildings and spaces. As your time-flow accelerates, old friends email the latest obituaries and the function of the writer becomes increasingly clear. You’re there to count the dead; and re-count the missing landmarks. Scribe of mutability and mutation, you’re only a memory-shaman, chronicler of the crumbling scrolls – destined yourself to become a mere neural trace in the world-brain, as the towers tumble around you.
Buy London: City of Disappearances.
Also, if you’re in London: Alan Moore, Michael Moorcock, and Iain Sinclair will be reading from the book on October 26th. Details here.
Wes Unruh explores Timothy Leary’s Neurocomics (torrent here) and Alan Moore’s Promethea (torrent here):
As I was reading this work, I was struck by how similar the work is to that of Alan Moore, specifically Promethea. Not simply the psychedelic nature of the work, but the way in which both of these works were about the underlying philosophical and metaphysical beliefs of the authors, and both presented in the most holistic way possible. They’re more like modern alchemical texts, grimoires for the psychonaut, without the layers of metaphor that Mike Carey might throw in or the allegories Chris Claremont developed to spread occultic ideas through more mainstream comics. (Granted, Grant Morrison does this in his own way as well, but not everyone is fully armed to read The Filth and his politics have raised more than a few eyebrows… )
Arthur: Of course the other aspect of magic that separates it from most religions is that it’s not based on faith, is it?
Oh, no. No. Faith is for sissies who daren’t go and look for themselves. That’s my basic position. Magic is based upon gnosis. Direct knowledge. It’s a kind of ‘I’m from Missouri. Show me’ approach, if you like. [laughter] I think that gnosis it’s probably the original form of spirituality in mankind. If you look back at the old Gnostic religions that proceeded Christianity, what they depended on was direct knowledge of the Mysteries, or the ideas being talked about. If you look at the early Christians, the people that were allegedly around Jesus, then you can’t get much gnostic than St. Thomas. [chuckles] He has to stick his hand in the wound before he was convinced! Or you’ve got the Essenes, with John the Baptist-they were certainly gnostics. Back then, everybody formed their own relationship to the godhead, which was seen as being inside them, as much as anything.
This is true of the old shamanic religions, that were the forebears of all kind of spiritual and religious thinking. The shaman didn’t so much act as a middleman between people and the gods; he showed them how to get there. He told them how to make their own journeys into the Underworld. I get the impression that the shaman in an ancient tribe would have had the same sort of position as a plumber or an electrician. [chuckles] A plumber is a guy who just knows about plumbing and doesn’t mind getting his hands dirty when he’s unblocking your S-bend or whatever. A shaman is a guy who knows about traveling to the spirit world and doesn’t mind vomiting because he’s taking poisonous drugs, or getting the horrors of going to hell. It’s a community thing.
The later idea of magic, which probably sprung up when people started burning witches and magicians, when it became dangerous to be a magician. Which would probably have been around the ooo, what, the 3rd century, 4th century? When Christian mobs started putting Gnostics in hermetic scholars to death, Around that time there were Christian mobs that were putting to death hermetic scholars like Hypatea. We mention her in the first issue of Promethea. She was real. She was, I think, skinned alive by Christians. And so at that point, this is where you start to get the thing of secrecy and magic, which carries on from that point up to the present day. ‘If you’re a magician, don’t tell anybody. Don’t tell them and don’t tell them any of the visions you’ve had or give them any of the information that you struggled so long to accrue. Keep it to yourself.’ And that seems very elitist to me. I’d rather disseminate any information I’m getting by one of the means that are open to me. And I’m lucky in that I have several quite excellent means [chuckles] to disseminate information that are open to me. Comic books, CDs, things like that.
The full text of the gnostic sci-fi novel A Voyage to Arcturus, a book Alan Moore cites as one of the best underrated books of all time, is available for free on the Gutenberg Project.
A Voyage to Arcturus full text
You can also buy it in print, though the edition with an introduction by Alan Moore appears to be out of print.
Machine. Unexpectedly, I’d invented a time
– Alan MooreI’m dead. I’ve missed you. Kiss … ?
– Neil GaimanThe baby’s blood type? Human, mostly.
– Orson Scott CardWith bloody hands, I say good-bye.
– Frank Miller
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