Oh yes, Alan Moore as manga schoolgirl. The images are from a new Alan Moore fan-book manga (dojinshi) by Ryusuke Hamamoto. Best bit? Probably the Alan Moore schoolgirl opening her locker and finding Glycon, the Roman hand puppet god that Moore took as his own personal god following his “coming out” as a magician.
Forbidden Planet: You’ve never seen Alan Moore looking like this before…
(via Cat Vincent)
Forty years after the uproarious heyday of the alternative press, writer Alan Moore is launching the 21st century’s first underground magazine from his home town of Northampton, a community that is right at the geographical, political and economic heart of the country; one which has half its high street boarded up and is at present dying on its arse, just like everywhere else. […]
As cheap and beautiful as a heartbreaking teenage prostitute, Dodgem Logic has a cover price of £2.50, with its content similarly tailored to the fiscal toilet-bowl that we are currently engaged in sliding down. Regular columnists provide delicious, inexpensive recipes, wide-ranging medical advice, simple instructions for creating stylish clothing and accessories from next to nothing, guides to growing your own dinner by becoming a guerrilla gardener, and, in the first of Dave (The Self-Sufficient-ish Bible) Hamilton’s environmental columns, a bold experiment in living with no money. The same approach to helping readers deal with socio-economic meltdown and a blitz of repossessions is there in upcoming features on the present-day resurgence of the squatters’ movement, or in our communiqués from the Steampunk/ Post-Civilisation gang on how to start rebuilding culture and society before those things have broken down completely and our children are reduced to battering each other to a bloody pulp with their now-useless X-Boxes in a dispute over the last tub of pot noodles.
Also, an expanded and illustrated version of Alan Moore’s history of pornography, originally published in Arthur has been published: 25,000 Years of Erotic Freedom.
(via Arthur)
Miracleman/MarvelMan is going to be release by, ironically Marvel Comics. I wrote about the complicated IP mess of MM here (so I need not rewrite it here). The “irony” is “Marvel” legally sued to prevent Alan Moore’s “Marvelman” from being released in the United States because of trademark issues. The result? It was released as “Miracleman” and Moore has never worked for Marvel Comics since (given his godlike status as a comic book author, their BIG loss). Moore sees the comedic irony in Marvel Comics publishing the book and he has no problem with it. Moore won’t take a penny of profits from the reprint, will not let his name be associated with it, and is happy that the bulk of the royalties is going to Marvelman’s original British creator, now in his 90s with a sickly wife.
Positive Liberty: Kimota: The Holy Grail of Comics is Coming
(Thanks Bill!)
Update: the link above is dead, but here’s the announcement from ComicCon. Also, there will be a Marvelman primer in June
The Faust story is a retelling of the Simon Magus story, but instead of being set at the birth of Christianity, this is at the birth of Lutheran Protestantism, nearly fifteen hundred years later. Here we’ve worked out the tangled web of Georgius Sabellicus Faust, the child molester and fountain of necromancy as he styled himself, Johannes Faust, who was the completely blameless doctor of divinity at Heidelberg University, who was known as the demigod of Heidelberg, and we’ve worked out how these two got mixed up together by people who were just confused by all these Fausts and that even Georgius Sabellicus Faust, in the first reference to him, he refers to himself as “Faustus Secundus,” and we were looking at this, and I said, “But that makes ‘Faust Second,’ and this is the first Faust that we’ve ever heard referred to” — he’s refered to by Johannes Trithemius — so we thought, “Who was Faust the first, then?” And Steve looked up in his Latin dictionary, and the word “faustus” means “fortunate, lucky, prosperous, auspicious,” so it would have been a great generic name for a sort of generic folkloric magician, like we might say, “Oh, he was a bit of a Merlin,” and they were saying, “He’s a bit of a Faust, he’s a lucky man,” with an implication that his luck comes from magical means, like Prospero was a good name for a magician. This is a Latin word, that is presumably, there must have been a Faust in folklore before any of these other jokers got in on the act. That’s just in one page of The Book of Magic, because we’re only giving one page to each of the lives of the great enchanters that we’re including. […]
We also found out that Paracelsus invented modern medicine. This was quite interesting. We found out he was the first person to say that epilepsy was an illness rather than a madness. He was the person who pioneered the use of anesthetics and antibiotics. He was the first person to say that disease originated from outside the body and that illness came from agencies outside the body, which is the beginning of disease theory. He invented homeopathy, and he was a magician.
It points out how much of our culture, all of it, the science, the medicine, the art, has seemingly sprung up from a hardcore magical basis. That most of the people, like Isaac Newton who was an alchemist, who ideas were based on those of John Dee, who was a flat-out necromancer, and even Einstein, his ideas were very much influenced by theosophy, which was the product of the fantastic 19th century fraud, that inspired fraud of Madame Blavatsky. So it’s interesting, much of the culture that surrounds us comes out of magic, pure and simply. That was something I suspected for a long time, but doing the research for this book, that is something which is becoming more and more evident, and we are gathering the evidence for that point of view with every new aspect of it we research.
Previews: Alan Moore interview
You can compare Paracelsus’s Alphabet of the Magi and Dee and Kelley’s Enochian alphabet at Omniglot:
I’m intrigued by Moore’s claim about Theosophy influencing Einstein. Anyone know anything about it?
Occulted Watchmen: The True Fate of ‘Hooded Justice’ & ‘Captain Metropolis’ is a paper by James Gifford, originally published in 1999. The paper presents a theory that both Hooded Justice and Captain Metropolis did not die (as is alluded to in the supplementary material presented with Watchmen), but are alive and well in 1985, and further that they appear together in a panel in Chapter I: At Midnight, All the Agents.
Watchmen Wiki: The Fate of Hooded Justice and Captain Metropolis
This is a pretty good list:
From Hell
Or Else
Sleeper
The Invisibles
100%
American Flagg
The Dark Knight Returns
Miracleman
DC: The New Frontier
Off the top of my head, I’d add Stray Bullets.
What would you add?
(via The Agitator)
So, those were the agendas that we were following then. We thought it would be a great idea if comics could be recognized as the wonderful medium that we secretly knew them to be. And when I say “we,” I’m talking about the 50 actual people who turned up at those early conventions, which was pretty much the sum total of everybody in this country who’d ever heard of American comics. But back then our agenda was this progressive notion that, wouldn’t it be terrific if people were to get involved with comics who could make them more adult, more grown up, to show the kind of themes they were capable of handling? So this was the agenda that, 20 years later, I was still following toward the end of my first DC run. […]
When I was working upon the ABC books, I wanted to show different ways that mainstream comics could viably have gone, that they didn’t have to follow Watchmen and the other 1980s books down this relentlessly dark route. It was never my intention to start a trend for darkness. I’m not a particularly dark individual. I have my moments, it’s true, but I do have a sense of humor. With the ABC books I was trying to do comics that would have perhaps appealed to an intelligent 13-year-old, such as I’d been, and would still satisfy the contemporary readership of 40-year-old men who probably should know better. But I wanted to sort of do comics that would be accessible to a much wider range of people, and would still be intelligent even if they were primarily children’s adventure stories, such as the Tom Strong books.
Plus:
Wired interview with Dave Gibbons
Top Shelf is proud to announce the all-new installment in the breathtaking series by Alan Moore and Kevin O’Neill! In The League of Extraordinary Gentlemen (Vol III): Century #1 (“1910″), our familiar cast of Victorian literary characters enters the brave new world of the 20th century!
CHAPTER ONE is set against a backdrop of London, 1910, twelve years after the failed Martian invasion and nine years since England put a man upon the moon. In the bowels of the British Museum, Carnacki the ghost-finder is plagued by visions of a shadowy occult order who are attempting to create something called a Moonchild, while on London’s dockside the most notorious serial murderer of the previous century has returned to carry on his grisly trade. Working for Mycroft Holmes’ British Intelligence alongside a rejuvenated Allan Quatermain, the reformed thief Anthony Raffles and the eternal warrior Orlando, Miss Murray is drawn into a brutal opera acted out upon the waterfront by players that include the furiously angry Pirate Jenny and the charismatic butcher known as Mac the Knife. This one is not to be missed!
This book will be the first of three deluxe, 80-page, full-color, perfect-bound graphic novellas, written by Alan Moore and illustrated by Kevin O’Neill — with lettering by Todd Klein, and colors by Ben Dimagmaliw. Each self-contained narrative takes place in three distinct eras, building to an apocalyptic conclusion occurring in our own twenty-first century. — 6 5/8″ x 10 1/8”
(via Arthur)
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