Information is Beautiful examines several claims made by 2012 believers and finds their claims lacking.

Information is Beautiful: 2012: The End Of The World?

Mary Dery writes:

Pinchbeck, like New Age thinkers all the way back to Madame Blavatsky, preaches a refried gospel of ancient wisdom and mystical, supra-rational knowledge. In 2007, he told The New York Times that “the rational, empirical worldview…has reached its expiration date…we’re on the verge of transitioning to a dispensation of consciousness that’s more intuitive, mystical, and shamanic.”

Well, somebody say “Amen”! There’s entirely too much rationalism and empiricism clouding the American mind these days, in a nation where, according to the Harris and other polls, 42% of Republicans are convinced President Obama wasn’t born in the United States, 10% of the nation’s voters are certain he’s a Muslim, and 61% of the population believe in the Virgin birth but only 47% believe in Darwinian evolution. [...]

When I asked her what she thought of Pinchbeck’s invocation of Mayan beliefs, and of the 2012-ers’ use of the Maya in general, she was blunt. “What makes me angriest about Pinchbeck’s bogus, profiteering bullshit isn’t so much him, but the fact that that many people are racist enough to believe any asshole white guy who declares himself an expert in Mayan culture. Did it ever occur to anyone to ask practicing Maya priests out in the villages? [...] It absolutely enrages me that while people I know in Guatemala, traditional priests, are struggling to figure out how to provide clean drinking water to their families, how to feed their communities, how to avoid being shot by the gangs and thieves that plague the roads more than ever—while they’re struggling to survive and keep their communities intact, assholes like Pinchbeck are making a buck off of white man’s parodies of their culture.”

h+: 2012: Carnival of Bunkum

(via Chris Arkenberg)

See also: Tracing the origins of the 2012 phenomenon

Gary Lachman, author of Turn Off Your Mind writes:

Much has been written about 2012, pointing out both the value and the flaws in Argüelles’s and McKenna’s interpretations. I don’t intend to repeat those here. The strangeness of the ideas did not repel me. At the time that I came across them, I was reading Rudolf Steiner, who had his own prophecies concerning the third millennium, which, to be honest, were rather vague. I had also already spent some years in the Gurdjieff “work,” so odd ideas were not a threat. What troubled me then and today is what I call the “apocalyptic gesture,” a point I raised recently on the Reality Sandwich website, much of which is dedicated to the 2012 scenario. The desire for some once-and-for-all break with the given conditions of life seems, to me at least, to be embedded in our psyche and is a form of historical or evolutionary impatience. Social, political, or cultural conditions may trigger it, but in essence it’s the same reaction as losing patience with some annoying, mundane business and, in frustration, knocking it aside with the intent to make a “clean start.” While in our personal lives this may result in nothing more than a string of false beginnings and a lack of staying power, on the broader social and political scale it can mean something far more serious. [...]

The “Summer of Love” in 1967—which by many accounts wasn’t as groovy as believed—quickly became the year of “Street Fighting Man” in 1968, when the “generation gap” promised to turn into something like revolution, and dangerous slogans like “If you’re not part of the solution, you’re part of the problem” promoted a simplistic us-or-them scenario. Yet by 1969 the hopes of an Aquarian Age had been severely battered by the gruesome Charles Manson murders and the Rolling Stones’ disastrous concert at Altamont, when Hell’s Angels murdered one man and terrorized hundreds of others, including the Stones themselves. (I tell the story in Turn Off Your Mind: The Mystic Sixties and the Dark Side of the Age of Aquarius.) Exorbitantly high hopes can often lead to very deep depressions, and in a microcosmic popular sense, within a few years the peace and love unreservedly embraced by the flower generation became the “no future” of the punks. Cynicism, jadedness, and pessimism often constitute the hangover from the intoxication of excessively high expectations. No one rejects ideals more vigorously than a bruised romantic.

Disinfo: 2013: Or, What to Do When the Apocalypse Doesn’t Arrive

It’s not what Lachman is writing about here, but a detailed account of the origins of the 2012 myth can be found in Sacha Defesche’s excellent paper The 2012 Phenomenon.

Manual of Evasion was a 1994 Portugese film starring Robert Anton Wilson, Terrence McKenna, and Rudy Rucker. Above are some clips from the film.

(via Posthuman Blues)

A full issue of the Whole Earth Review from 1989, edited by Terrence McKenna and Howard Rheingold.

The Whole Earth Review: the alien intelligence of plants

(via Chris 23)

In his master’s thesis Sacha Defesche traces the origins of the 2012 phenomenon, from the brothers McKenna to Jose Arguelles to David Icke and beyond.

here has the notion of the year 2012 as holding a special apocalyptic or millennial significance originated? What are the most important historical sources for the 2012 phenomenon? Are there indeed several ‘pure’ (as in independent) sources of prophecy that separately mention the importance of the 2012 date as is often thought in New Age circles?

Full Story: Skepsis

Originally from High Times

What we were doing was not science – it was magic. We thought we were doing science but we didn’t know anything about science at the time. We set up what we called an experiment, but what we should have really called a ritual. Honestly it was a ritual but we had the idea that if we took a large dose of mushrooms, along with ayahuasca and heard this sound, that we could generate this standing wave form and that we could actually transfer that into the body of a mushroom in a stable way so that it would be outside the body and it would be sustained by it’s own superconducting circuitry, and you would be able to see it and be it at the same time. It would be, in a sense, an artifact from beyond that you generate out of your own head. It would be a super, transbiological artifact, translinguistic matter that would be meaning itself fixed into a biological matrix.

RAK> And do you think it succeeded, the experiment?

DENNIS> (hesitates)… No… (laughs) No, not exactly… What we were trying to do, essentially, if I can harken back to the basis of this in myth and history, I mean the closest analogy to it is the Philosopher’s Stone. We were trying to recreate the Philosopher’s Stone, which in some ways is the ultimate artifact. That thing that exists and is both mind and matter and responds to thought and is you and can do anything you can imagine, literally, anything you can imagine.

Full Story: Undergrowth

Dennis McKenna will be keynoting Esozone: the Other Tomorrow in Portland, OR this October.

Esalen lost little of their own archives, the vast bulk of their books, photos, audio and videotapes residing elsewhere. Unfortunately, the institute was also using the offices to store the amazing library of Terence McKenna, the visionary psychedelic bard who passed away in 2000. The plan was to eventually install the books at Esalen, a place that Terence loved but which is hardly associated with scholarly pursuit. That plan will never be realized.

Full Story: TechGnosis.

Do people meet alien entities on DMT because they expect to meet alien entities? It’s not an idle question, it’s grounds for a fun experiment, too. From the Rodruigez paper:

To validate or falsify this hypothesis, the experimenter should perform a single blind study in which human subjects are used who have never heard of DMT and its extraordinary effects on the human psyche. These subjects are told that DMT inebriation will provide them solely a visual and auditory hallucination. By simply defining the experience as that experienced in front of the veil, the ill-informed subject will have no preconception as to what is possible given the right conditions for entering into the DMT-induced alternate reality. If subjects continually return only to describe the world in font of the veil, then it can be concluded that the DMT experience can be influenced by biasing the subject. In this sense, the hallucination is driven by preconceptions and therefore may be understood solely as an inconsistent subjective hallucination. On the other hand, if the inexperienced human subjects return with testimonies of encounters with alien beings, then DMT is responsible for alien entity experiences. It is noted that this experiment has already been implemented with positive results. Dr. Strassman’s work used unassuming human subjects that did, in fact, return from DMT inebriation with entity experiences (Strassman 2001).

Full Story: Brainsturbator.

Audio of lectures by the likes of Timothy Leary, Robert Anton Wilson, and Alex Grey. Plus a couple of videos.

Second Attention media archive.

(Reality Carnival).

Late night rant about techno-utopianism and passitivity in dangerous times:

I think there’s a great value in technology, and I think much of our ability to survive in the future will be based around technological innovation. But a lot of it is going to also have to depend on adaptation. We simply cannot continue our current path and expect technology to solve all our problems. It’s faith in technology for salvation. It’s not science, it’s religion.
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Can anyone recommend any anti-civilization thinkers, other than primitivists, “back to the land”-types, and Terrance McKenna? I guess what I’m looking for is post-civilization thinking that doesn’t demonize the progress made during civilization. McKenna’s Archiac Revival concept seems the closest, but it’s too techno-utopian:

The future is going to be much more like the extremely distant past. It’s not that technology is going to disappear. It’s that technology is going to be much less obtrusive. I can imagine a future where the entire culture has been shrunk down and downloaded onto a pair of black contact lenses that you implant behind your eyelids. And you’re naked, tattooed, scarified, and wearing your penis sheath and so on. But when you close your eyes, there are menus dangling in mental space. You go into that and have the complete database of the Western Mind.

-Terrence McKenna, Mondo 2000 vol. 1, issue 10, 1993

I think I’m looking for something a little more political (materialist? Marxist?).

Passed on without comment:

The stronger solar storms could start as early as this year or as late as 2008 and should peak around 2012.

“We predict the next solar cycle will be 30 to 50 percent stronger than the last cycle,” said Mausumi Dikpati, a solar scientist with the National Center for Atmospheric Research in Boulder, Colorado, yesterday in a telephone briefing with reporters.

The last cycle peaked in 2001.

Full Story: National Geographic.

(via LVX23).

Fabulous news! I can’t wait.

Shpongle is back, with a new album, ‘Nothing Lasts’ a reference to Terence Mckenna and one of their many influences, the imitable audio pioneers, Simon Posford & Raja Ram remind us not only the about the impermenance of life but also how to rewrite the ambient agenda with yet more spell binding music from their outer cosmos that is ‘Shpongle’. With sonic waves in a sea of synths, battalions of brazilian batucada beats, flamenco solo’s, piano solo’s, vocal soarings from Hari Om and trancey dubs this really is more music from the otherworld. A place of undefinable and indescribable beauty where all cultures collide, genres are rode over roughshot, and nothing is outlawed. For those that know them these will be sentiments they recognise and welcome as further evidence of Shongle’s reputation. To those that don’t, welcome to a new universe one with it’s own language and musical map, a place of beauty and impermenance.

Link.

Daniel Pinchbeck, and the fine folks at FutureHi, are starting a project called Metacine: a Magazine for the New Edge. It’s about stuff like Burning Man and, like Future Hi, “new” psychedelic culture.

It sounds a lot like Mondo 2000, a magazine for the new edge that ran sporadically from the late 80s (under the title Reality Hackers) until around 1997. It had articles about Burning Man, raves, designer drugs, smart drugs, etc. and basically spawned the magazine Wired. Burning Man’s been going for nearly 2 decades now. Nothing new there. All the sustainable bio future stuff they’re talking about on the Metacine web site? Sounds like Mother Earth News or the Whole Earth Catalog.

So what’s “new edge” about all of this? I don’t think there’s anything wrong with any of what they’re doing. I’m excited about all of it, honestly. But trying to package it up as some sort of new movement sounds like journalese to me. I’ve been as guilty as anyone else about this. Just look through the Technoccult archives and you’ll find plenty of evidence.

Why this obsession with doing “new” things? Finding the trends, the edge, blah blah blah blah blah. Seems like we’re all still stuck in the past, rambling about sustainable energy and Leary’s 8 circuit model and all that. But is that really such a bad thing?

Then there’s Jason Louv’s attempt to create a new occult ultraculture. Rather than trying to document a new culture, Jason’s trying to will a new one into existence with his book. I admire what he’s doing, and I know he’s doing it for the right reasons. He wants to see a new generation of socially consciousness occultists. It actually reminds me a lot of Terrence McKenna’s stuff though, about the role of shaman as a healer for the community. McKenna called his vision of the future an “archaic revival,” because everything he expected to occur was actually ancient.

Don’t get me wrong, I have a lot of respect for Jason and for the Future-Hi cats, and I’m sure Pinchbeck has the best intentions. I’ll be pre-ordered Generation Hex and will probably be a Metacine subscriber. But I’m worried that an obsession with novelty and “the next big thing” will only hurt all our long term goals, stunt our personal development by making us trend whores, and blind us to realms of less glamorous possibility.

Collection of interview with Timothy Leary, Robert Anton Wilson, Terrence McKenna, John Lily, Alex Grey and many more.

Link (via LVX23).

Also of note: New York Times article on Alexander Shulgin.
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I’d never heard of this guy before, but I like this quote about Burning man:

Burning Man is the post-modern continuation of those ancient festivals-it is a miraculous manifestation of the “Archaic Revival” described by Terence McKenna. On an occult level, I almost suspect that Burning Man is creating a model, on the astral plane, for how all human communities will exist in the future. One amazing aspect of Burning Man is how the event penetrates into one’s dream life-after going there, I dreamt about some version of it almost every night for many months afterwards. I know that many people have the same reaction. How could the egalitarian, freedom-oriented, cashless, utopian form of Burning Man be implemented in a more permanent way, or on a larger scale? I have no clue.

Link (via New World Disorder)

“I Understand Philip K. Dick” by Terrence McKenna.
Link (via Die Puny Humans)

Trip Receptacle is “a series of three 3-hour shows consisting of all-psychedelic, all-entheogen radio.” It includes interviews and talks by Timothy Leary, Terrence McKenna, Sasha Shugin, etc.
Link.

“However, Nixon?s weary world ignored the eschatological opportunity I thought my brother?s inspired fiddling with hyperspace had afforded. The world continued grinding forward in its usual less than merry way. There was only one small incident that might subsequently be construed, even within the framework of the schizoid logic that was my bread and butter then, to support my position. Unknown to me, a struggling, overweight SF writer, an idol of mine since my teens, discovered the next day that his house have been broken into, his privacy violated by the Other. How peculiar that on the first day of the new dispensation in my private reformist calendar, he had been burglarized by extraterterrestials the CIA or his own deranged self in an altered state. The torch had been passed, in a weird way the most intense phase of my episode of illumination/delusion ended right where Phil?s began.”
Link (via New World Disorder).

I’m sitting in front of a sound stage in the middle of a horse pasture watching robotic kids shift and rotate to electronic music. A computer thumps out crunchy, mechanical melodies over the funky beats oozing from turntables. Neon drawings float under the black light from the plywood dance floor. Off to the side of the stage, a guy sits cross-legged and meditates. I’ve been up since 6:30 in the morning, it’s 2:30 at night now, I’m freezing, and have no plans of going to bed. Fatigue has given way to fascination. I feel great.
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There was a time when the name R.U. Sirius was synonymous with cyberculture. His seminal magazine Mondo 2000 predated Wired, and was even more enthusiastic in its wow-gosh sexification of the new geek order. Articles predicting a slick future of nanotech parties and smart drugs were mixed in with batches of fearful predictions of terrorism, economic collapse, draconian copyright enforcement, increased surveillance and invasive advertising. But Sirius didn’t stop there: After the collapse of Mondo, he went on to write for magazines like 21C, Salon and Disinformation, and edited Getting It. He created the Revolution Party, a non-ideological anti-authoritarian political organization (“If even the alternative parties like Libertarian and Green seem a bit rigid to you, consider joining us”), and campaigned for Presidency of the United States. His latest project, The Thresher, is a political magazine.

But The Thresher is a print magazine. Sirius hardly goes online anymore, except for research. The truth is, the Godfather of GeekChic has moved on.
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