Online novel publishing a $15 million a year industry in China

Shanda Literature, which controls over 90% of China’s online-reading market, rakes in an estimated revenue of 100 million yuan ($15 million) per year. Running three popular online-novel websites, Shanda boasts a total readership of 25 million and is growing at 10 million per year, according the company. “The Chinese people need a platform to express their creativity,” said Hou Xiaoqiang, founding CEO of Shanda Literature. “I think our online-literature sites can partly cater to that need.”

Full Story: Time

(via Tomorrow Museum

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Print your own books from Wikipedia

wikipedia books

Wikipedia is offering a new service allowing users to select articles from Wikipedia and have them printed as a book:

Step 1 – Creating the book from a collection of articles

The book collection menu, entitled “Create a book”, can be seen on the left hand side of the browser screen towards the bottom. It contains two links by default: “Add wiki page” and “Books help”. (See Fig 1).

By clicking on the “Add wiki page” link, the page currently being viewed is added to the collection. To add more pages you must navigate to the next desired page and click the “Add wiki page” link again. You can also add all pages in a category with one click. The number of pages in the book is shown in the menu on the left and is updated automatically.

If required, specific revisions (versions) of pages from their histories, can be specified in your book. See the experts page for details.

Step 2 – The book title

Once all the desired pages have been added, click the “Show book” button to review your book. Furthermore it is possible to add a book title and change the ordering of the wiki pages of the book (see details of how to do this in the Advanced functionality section).

Step 3 – Download or order a printed copy of your book

The finished book can be downloaded or ordered as a bound book. You can download the book, in PDF and OpenDocument format (viewable using OpenOffice.org software), by clicking the “Download” button (see Fig 3). To order the book as a bound book click the “Order book from PediaPress” button. Further information about printed books can be found in the FAQ.

More Info: Wikipedia

Wikipedia Books FAQ

(via Robot Wisdom)

This is one of the business models I suggested for newspapers.

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Literary Novels and Fan Culture: Some Thoughts Following The Future of Entertainment 3

“Over the weekend I attended The Future of Entertainment 3, a conference organized by MIT’s Comparative Media Studies department. The two day event featured back to back roundtables focusing on issues related to social media, audience participation, and “spreadable media,” a term CMS director Henry Jenkins coined as a more appropriate way to describe content than “viral.” (Viral connotes an inexplicable element the “infected” have no control over. It suggests you can “design the perfect virus and give it to the right first carriers.”)

From a post on Jenkins’ blog last year:

Our core argument is that we are moving from an era when stickiness was the highest virtue because the goal of pull media was to attract consumers to your site and hold them there as long as possible, not unlike, say, a roach hotel. Instead, we argue that in the era of convergence culture, what media producers need to develop spreadable media. Spreadable content is designed to be circulated by grassroots intermediaries who pass it along to their friends or circulate it through larger communities (whether a fandom or a brand tribe). It is through this process of spreading that the content gains greater resonance in the culture, taking on new meanings, finding new audiences, attracting new markets, and generating new values. In a world of spreadable media, we are going to see more and more media producers openly embrace fan practices, encouraging us to take media in our own hands, and do our part to insure the long term viability of media we like.

Indeed, our new mantra is that if it doesn’t spread, it’s dead.”

(via The Tomorrow Museum)

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C[r]ash Flow (Or What Went Wrong in October in Book Publishing)

“It’s the only thing I’m thinking about recently, so I’m going to go ahead and kill the elephant. Let’s talk a little bit about what happened in October.

You’ve heard about the massive layoffs at Doubleday; you’ve heard about Harper’s terrible state of profit, BNN’s worst quarter and projected year ever, and the closing of Impetus, an indie press (which, as I’ll explain below, I don’t think was Impetus’s fault even vaguely). Yes, there’s a crisis. However. Anyone who wants to talk about “the death of publishing” can leave the room. I’m at the beginning of my career and I plan on being an editor for a long time; a lot of you are yet-to-be-published authors and I’m sure you’re equally intent on not seeing book publishing fold (not that it’s going to; that’s ridiculous). So instead I want to talk about what’s actually causing the problem–it might help us come up with solutions for protecting what’s important to us.”

(via Editorial Ass. Thanks SP!)

(Related:“Major Distributor Raises Concerns Over Borders” via GalleyCat)

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Banned Books and the Election

http://www.caribousmom.com/web_bbwbutton.gif

There’s a bogus list of books that Palin wanted banned making the rounds on the internet these past few days. In reality the books listed were taken from a site listing books that were once banned in the United States. And while the list is clearly disinformation at its finest, it at least brings attention to the fact that Palin attempted to fire a librarian after inquiring into banning some books from the library. According to Anne Kilkenny who has known Palin since ‘92:

‘While Sarah was Mayor of Wasilla she tried to fire our highly respected City Librarian because the Librarian refused to consider removing from the library some books that Sarah wanted removed. City residents rallied to the defense of the City Librarian and against Palin’s attempt at out-and-out censorship, so Palin backed down and withdrew her termination letter. People who fought her attempt to oust the Librarian are on her enemies list to this day.’

This poses a threat to the liberty of writers, book lovers, publishers, and libraries everywhere in the country. This means that it’s extremely important to put additional emphasis on this year’s ‘Banned Books Week-Celebrating the Freedom to Read’ (Sept. 27-Oct. 4). Spread the word…

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The 21st Century Writer

Good article on the future of writing and publishing with Tim O’ Reilly, Stephen Abram, Douglas Rushkoff, and Frank Daniels:

“It’s a snowy February Monday in midtown Manhattan. Publishing magnate and tech guru Tim O’Reilly’s ‘Tools of Change’ conference has just opened at a Marriott off Broadway. The timing is fortunate; publishers HarperCollins and Random House have just announced that they will be offering more book content online and au gratis. The affable O’Reilly-who has been urging publishers to go digital since the early eighties-refuses to gloat (much). ‘They weren’t even trying to keep electronic copies [of manuscripts],’ recalls O’Reilly. ‘You look at these announcements today, they seem too little too late,… but it’s allowing them to start innovating, to become part of the technology process.’ ‘Twenty years ago, people wouldn’t have listened,’ says Sara Domville, president of F+W Publications book division. ‘They’ll listen now.’

As the publisher of an extremely popular series of computer manuals, O’Reilly is a bright star in a field of drab. Dubbed the ‘guru of the participation age’ by Steven Levy in a 2005 Wired profile and a ‘graying hippie’ with a ‘hostility toward traditional media’ by author Andrew Keen, O’Reilly makes millions of dollars promoting open source at his conferences and selling do-it-yourself know-how to anyone who browses the computer aisle at Barnes and Noble. His message to the world’s publishing elite exudes a Wizard of Oz simplicity: Give more product away on your Web site, thereby attracting more people to sell on something pricier than a book- like a bunch of books or a conference ticket. The approach works for him at least. Some 900 publishing execs from Simon and Schuster, Norton, etc., have paid $1,100 apiece (on average) to learn how to give content away.

‘I think I’m optimistic,’ said Sonia Nash of Random House, echoing the uncertainty of the attendees, editors, and publishers from around the world eager to find some reason to feel good about the future of what they sell.”

(via The Futurist)

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<a href="http://psychetect.bandcamp.com/album/return-to-the-wasteland">Awakening by Psychetect</a>

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