Gregory Shupak reviews Unhitched: The Trial of Christopher Hitchens, in which Richard Seymour uses Hitchens’ career as a foil to explore the role of the public intellectual in the modern media sphere:
If Hitchens was a serial plagiarist who failed to get even the simplest of facts right, was allergic to nuance, and made no scholarly contributions, one might reasonably conclude that he ought to be ignored, and that a reader’s time and Seymour’s considerable talents be put to better use. But Hitchens matters precisely because of the inverse relationship that the quality of his work has to his status. His career reveals much about the function of the public intellectual. [...]
That said, Hitchens’ later years and the enormous celebrity he enjoyed during that period are a case study of just how handsome the rewards are for those willing and able to serve as attack dogs for the dominant powers of their place and time. Hitchens’ main service to the American elite was to employ a combination of innuendo and character assassination to cast aspersion on virtually every high-profile figure critical of American foreign policy after 9/11—a roster that includes Julian Assange, Noam Chomsky, George Galloway, Michael Moore, Harold Pinter, Edward Said, Cindy Sheehan, Oliver Stone and Gore Vidal.
Hitchens could never have amassed such a large following—and perhaps more importantly, such a powerful following—had he not so entirely embraced American power and its corresponding ideologies after 9/11. Would Hitchens have been invited on as many talk shows if, rather than writing fawning biographies of safely institutionalized figures like Thomas Paine and Thomas Jefferson, he had taken as his exemplary subjects two others he professed to admire even near the end of his life, C.L.R. James and Rosa Luxemburg? If, instead of levying facile criticisms of organized religion primarily at the United States’ enemies, Hitchens had selected neoliberal capitalism for his most ferocious late-career critiques, is it likely that 60 Minutes would have profiled him when he was ill with cancer, or that his audience would have been extended to readers of Newsweek, much less the Weekly Standard?