Post Tagged with: "mediapunk"

Hakim Bey Interview From 2010

Hakim Bey Interview From 2010

From e-flux journal 2010:

Well, when I was a child I was of course fascinated by adventure stories, figures like Richard Halliburton and other world travelers who wrote books for children, and National Geographic magazine—I inherited a whole closet full of National Geographic issues going back to 1911 from a friend. And then when I grew up, I became interested in Eastern Mysticism, the way everybody began to be in the 1960s. I specifically wondered whether Sufism was still a living reality or whether it was just something in books. There was no way of telling at that time. There were no Sufis practicing in America, or at least none that we could discover. I was a conscientious objector during the Vietnam War, and then we had May ’68, and that revolution failed. It clearly wasn’t going to happen. So I decided to make my trip to the East and discover whether Sufism was a living reality or not. And, of course, it turned out that it was. And so were a lot of other things that I hadn’t even anticipated, like tantric Hinduism, which I also became fascinated by while I was in India. So that all lasted from 1968 to 1980 or ‘81, when I went to Southeast Asia. I also went to Indonesia for a short, but very influential, trip. And after 1970 I lived in Iran, where I wrote criticism for the Shiraz Festival of the Arts. That’s how I got to meet Peter Brook and Robert Wilson and all the people that I later worked with or was influenced by. I also met an Indonesian artist named Sardono Kusumo, who I later found again in Jakarta when I was traveling in Southeast Asia. He gave me the names and addresses of all these uncles everywhere in Java who were all involved in dance, puppetry, or mysticism; a fantastic family. So I traveled around Java from uncle to uncle, and performance to performance. And they have a special kind of mysticism there called Kebatinan, which is kind of like Sufism but not quite. It’s different, and it would take a long time to explain why.

And on the internet:

Well, I have to admit that, like everybody else in the 1980s, I was much more optimistic about these things. And in some of my writing I may have given the impression that I would become some sort of cyber libertarian. I have many friends in that camp, but then as time went on, I became more of a Luddite. I believe that technology should not consist of an attack on the social. And if you think about the symptom that everybody talks about, the loss of privacy, or even the redefinition of what privacy could possibly be, well, I see this as an actual attack on society. And it’s interesting that it comes at the same time as Thatcher saying that there is no such thing as society. It’s an ideological move against the social. And it’s not for the glorification of the individual, either. To me, the individual also loses in this formula. But it’s primarily meant to break society down into individual consumer entities, because that’s what money wants. Capital itself wants everyone to have everything. It doesn’t want you to share your car with anyone, it wants each person to have their own. And by the way, the US has achieved this—we now have one car for every adult in the country. Capital wants everybody to have to own everything, and to share nothing. And the social result of this is ghastly. It’s scary, frightening. For me it’s apocalyptic.

Full Story: e-flux: In Conversation with Hakim Bey

October 6, 2012 2 comments
The Federated Web Should Be Easier Than It Sounds

The Federated Web Should Be Easier Than It Sounds

My response to Twitter’s suspension of journalist Guy Adams’ account and recent calls for a more open alternative to Twitter:

I’m interested in plans to build federated versions of the internet, including “darknets” like Freenet, Cryptosphere or wireless internet alternatives like Project Meshnet and the many many other project like it. But for those of us living in relatively free countries, just having an internet where everyone owns their own portable identity is good enough. Owning a domain name is a bit on the geeky side, but it’s not like asking people to learn to program or configure their own Linux servers. We can still rely on hosted services – as long as we can pack up and move out of them when the time comes.

What we need to build an open alternative to Twitter isn’t more standards. We already have Dave Winer’s microblog namespace for RSSPubSubHubbub and Activity Streams. What we need is a self-hostable, single user Twitter clone that can publish these formats (and optionally push to Twitter and other social networks). That was the idea that Winer was seemingly getting at last week with his own post on a Twitter alternative, but he focused more on all the tools that are out there for building something like this, and didn’t come out and say what it is we actually need. And that’s something that power users can get up and running relatively quickly without having to write it themselves and with the least amount of server fiddling possible. A WordPress of microblogs.

Sure we have StatusNet and other clones already. But these are designed for groups who want a private Twitter. I’m talking about is giving every user control of their feed by attaching it to their own domain name. One such thing exists already: PageCookery, but the site is in Chinese. Another option is to just run StatusNet and be the sole user on your server. There are also some WordPress microblog themes, but that seems like a clunky solution. It might be nice to see something that isn’t in PHP, but hey – PHP gets the job done and it’s easy for non-developers to get PHP apps running on commodity web hosting.

TechCrunch: The Federated Web Should Be Easier Than It Sounds

August 4, 2012 2 comments
Jonah Lehrer Resigns From The New Yorker Over Fabricated Quotes

Jonah Lehrer Resigns From The New Yorker Over Fabricated Quotes

Science journalist Jonah Lehrer, whose articles I have linked to from Technoccult in the past, stepped down from the New Yorker today after admitting to fabricated Bob Dylan quotes in his book Imagine. Here’s Lehrer’s statement, as quoted by Julie Bosman for The New York Times:

“Three weeks ago, I received an email from journalist Michael Moynihan asking about Bob Dylan quotes in my book ‘Imagine,’ ” Mr. Lehrer said in a statement. “The quotes in question either did not exist, were unintentional misquotations, or represented improper combinations of previously existing quotes. But I told Mr. Moynihan that they were from archival interview footage provided to me by Dylan’s representatives. This was a lie spoken in a moment of panic. When Mr. Moynihan followed up, I continued to lie, and say things I should not have said.”

“The lies are over now. I understand the gravity of my position. I want to apologize to everyone I have let down, especially my editors and readers. I also owe a sincere apology to Mr. Moynihan. I will do my best to correct the record and ensure that my misquotations and mistakes are fixed. I have resigned my position as staff writer at The New Yorker.”

Full Story: The New York Times: Jonah Lehrer Resigns From The New Yorker After Making Up Dylan Quotes for His Book

(via Coe Douglas)

See also:

The Curse of Knowledge (a critique of inaccuracies in Imagine)

Why Did Jonah Lehrer Plagiarize Himself?

Disclosure: I write for Conde Nast’s Wired Enterprise property. Conde Nast is the publisher of The New Yorker

July 30, 2012 0 comments
Journalism and Right Speech

Journalism and Right Speech

Books like The Elements of Journalism by Bill Kovach and Tom Rosenstiel and The Information Diet by Clay Johnson examine the responsibilities of journalists and other information producers and what the public should expect, and demand, of its news and information outlets.

I just came across, via the Wikipedia entry on the Noble Eight Fold Path of Buddhism, a quote from The Abhaya Sutta on “Right Speech.” I think it has a lot to say about what we as journalists should write and what you as the public should demand:

In the case of words that the Tathagata knows to be unfactual, untrue, unbeneficial, unendearing and disagreeable to others, he does not say them.
In the case of words that the Tathagata knows to be factual, true, yet unbeneficial, unendearing and disagreeable to others, he does not say them.
In the case of words that the Tathagata knows to be factual, true, beneficial, yet unendearing and disagreeable to others, he has a sense of the proper time for saying them.
In the case of words that the Tathagata knows to be unfactual, untrue, unbeneficial, yet endearing and agreeable to others, he does not say them.
In the case of words that the Tathagata knows to be factual, true, but unbeneficial, yet endearing and agreeable to others, he does not say them.
In the case of words that the Tathagata knows to be factual, true, beneficial, and endearing and agreeable to others, he has a sense of the proper time for saying them. Why is that? Because the Tathagata has sympathy for living beings.

Wikipedia puts it: “In every case, if it is not true, beneficial nor timely, one is not to say it.”

Or, for modern times: Write, and/or read, things that are true, timely and informative. Don’t troll. Don’t spread rumors. Don’t read gossip. Don’t create or click on linkbait. Don’t read substanceless content just because it affirms what you already believe.

This fits nicely with “The Essence of Journalism is Verification” (from the Principles of Journalism) and Clay Johnson’s summary of his thinking: “Consume deliberately. Take in information over affirmation.”

See also: The “Elements of Journalism” issue of the Nieman Report.

July 25, 2012 0 comments
Flawed But Indispensable Take Down of Malcolm Gladwell

Flawed But Indispensable Take Down of Malcolm Gladwell

SHAME Project, an organization founded by Yasha Levine and Mark Ames of The Exile, recently published a lengthy critique of writer Malcolm Gladwell. I finally read it, and recommend it even though it is a flawed piece. Highlights:

While a student at the University of Toronto, Gladwell’s admiration for Ronald Reagan led him into conservative activist circles. In 1982, while still an undergrad, he completed a 12-week training course at the National Journalism Center, a corporate-funded program created to counter the media’s alleged “anti-business bias” by molding college kids into corporate-friendly journalist-operatives and helping them infiltrate top-tier news media organizations. To quote Philip Morris, a major supporter of the National Journalism Center, its mission was to “train budding journalists in free market political and economic principles.” Over the years the National Journalism Center has produced hundreds of pro-business news media moles, including top-tier conservative talent like Ann Coulter and former Wall Street Journal columnist and editorial board member John Fund.

After graduating from University of Toronto in 1984, Gladwell spent a few years bouncing around the far-right fringe of the corporate media spectrum. He wrote for the American Spectator—notorious in the 1990s as the primary media organ promoting anti-Clinton conspiracy theories—as well as the Moonie-owned Insight on the News. From 1985-6, Gladwell served as assistant editor at the Ethics and Public Policy Center, which was created to bridge the gap between neoconservatives and Christian fundamentalists and help the two hostile factions to come together to counter a common enemy: activists fighting for economic justice. Rick Santorum was a fellow at EPPC until June 2011, when he left to concentrate on his attempt to secure the 2012 GOP presidential nomination. [...]

At the New Yorker, Malcolm Gladwell developed another branch of his branded Malcolm Gladwell, Inc. business: as a highly-paid corporate speaker. Indeed, Gladwell is ranked as one of the highest-paid speakers in America today, commanding anywhere from $40,000 to $80,000 for a single talk to corporations and industry groups eager to pay for his soothing wisdom. In 2007, Fast Company estimated Gladwell does “roughly 25 speaking gigs a year, his current going rate some $40,000 per appearance.”

That would translate into roughly $1 million that year in speaking fees alone—four times what he made at the New Yorker in 2005. It’s a huge amount of money, as far as speaker’s salaries go. For comparison: Mitt Romney only made $500,000 in speaking fees in 2010.

Most news organization have specific rules and guidelines about speaking fees, and some—including the Wall Street Journal, Bloomberg, and the Washington Post—ban their journalists from taking fees for speeches. But the issue is far from settled, and regularly comes up in debates about journalistic ethics. Jonathan Salant, former president of the Society of Professional Journalists Washington chapter, considers corporate speaking fees to be outright bribes. He’s not the only one.

In a March 2012 article in the Columbia Journalism Review, Paul Starobin wondered if speaking fees are a “dark and an indelible stain on journalism” and noted that most journalists would not talk openly about the details of their corporate speaker side-gigs on the record and that some tried to prevent their names from being mentioned at all.

Full Story: Naked Capitalism: Malcolm Gladwell Unmasked: A Look Into the Life & Work of America’s Most Successful Propagandist

(via Innovation Patterns)

There’s an excellent conversation on MetaFilter. Here’s an interesting point from Mr.Know-it-some:

I stopped reading after “the notorious National Bureau of Economic Research, an organization with ties to the tobacco industry and bankrolled by the biggest names in right-wing corporate propaganda funding.” NBER is probably the preeminent economic research organization in the United States, if not the world, whose (approximately 1000) members include left-wingers like Joe Stiglitz and Paul Krugman. (Yes, you might argue that it leans a bit corporate, but calling it “notorious,” is simply ludicrous.)

(Though someone else on the thread points out that Paul Krugman actually did briefly work for Enron).

The thread hits all the points I would want to make about what’s good and bad about the piece. It’s clearly an example of the “hit piece” genre, but it does make good points.

Maias wrote:

What’s equally infuriating is that sometimes his arguments— and those of pharma— are correct. The case of ADHD drugs is one instance: some people are genuinely helped and their stories get drowned out in the cries of “drugging our kids” and “overmedication.” The idea that crack dealers or tobacco companies are solely responsible for addiction is genuinely problematic— it ignores the fact that people with addiction *do* tend to have underlying issues and the fact that humans have always sought consciousness alteration. Making this case does not mean you are a pharma or a tobacco shill, merely that you have read the literature and know something about drugs.

Ironically, it is exactly the type of journalism exhibited by both this piece and by Gladwell that is the problem: ignoring complexity leads to simplistic solutions (let’s just lock up the dealers! let’s ban ADHD meds! let’s prohibit cigarettes! let’s ban painkillers!) that don’t actually work.

And mediareport wrote:

There’s more than enough direct evidence of Gladwell distorting evidence and hiding conflicts of interest – and then responding by not directly responding to the criticisms – to make the critique stick and stick hard. Linking it to Gladwell’s early conservative training is an interesting approach, too.

The stuff about the pharmaceutical industry and Gladwell’s laughably wrong attempt at a defense of Enron execs seemed excellent and very much on point. That the intent of the piece was to savage Gladwell’s moronic brand is clear, but that doesn’t invalidate the accumulated information, which accomplishes the goal nicely.

(However, a few people on MeFi made the claim that S.H.A.M.E. implied that Gladwell was a white supremacist – they did not. S.H.A.M.E. wrote: “Gladwell, who is part-Jamaican, apparently didn’t mind working for a white supremacist who argued that people like Gladwell were inferior” (emphasis mine). That said, yes, mentioning Gladwell’s own work debunking the the tk thesis would have been charitable.

See Also: The Tipping Point and the Long Tail debunked

June 11, 2012 3 comments
Cyberculture History: Before the World Wide Web Did Anything, HyperCard Did Everything

Cyberculture History: Before the World Wide Web Did Anything, HyperCard Did Everything

cyberpunk stack for Hypercard
Above: an image from the Beyond Cyberpunk Hypercard stack

Ars Technica honors the 25 anniversary of Hypercard, a discontinued desktop hypertext application for Macs:

Even before its cancellation, HyperCard’s inventor saw the end coming. In an angst-filled 2002 interview, Bill Atkinson confessed to his Big Mistake. If only he had figured out that stacks could be linked through cyberspace, and not just installed on a particular desktop, things would have been different.

“I missed the mark with HyperCard,” Atkinson lamented. “I grew up in a box-centric culture at Apple. If I’d grown up in a network-centric culture, like Sun, HyperCard might have been the first Web browser. My blind spot at Apple prevented me from making HyperCard the first Web browser.” [...]

Programmers for the Cyan software company originally wrote their hugely popular puzzle/adventure game Myst as a HyperCard stack. That explains the game’s beautiful graphics and slow motion quality, punctuated by ambient sounds or an unexpected video. But even in 1987, when Macs displayed in black and white, HyperCard developers and graphics artists produced subtle, fascinating landscapes that often escape the Web to this day.

Full Story: Ars Technica: 25 years of HyperCard—the missing link to the Web

May 30, 2012 3 comments
The Origin of Those Blade Runner Magazine Covers Floating Around

The Origin of Those Blade Runner Magazine Covers Floating Around

Blade Runner

city magazine stand

For the past few days scans of magazine covers allegedly appearing on newsstands in the background of the film Blade Runner have been circulating thanks to the Science Fiction Tumblr (you can find great quality scans and notes in this Flickr set).

Alexis Madrigal, a senior editor at The Atlantic, saw them and decided to find out whether they are real or not.

Spoiler alert: Yes, they’re real and they appeared on a Blade Runner special feature Signs of the Times: Graphic Design.

It’s still interesting to read Madrigal’s post because for some insight into the process of journalistic verification. Enjoy!

Full Story: The Atlantic: The Fake Magazines Used in Blade Runner Are Still Futuristic, Awesome

Thoughts:

*MONI is clearly a reference to OMNI.
*HORN looks like a predecessor to Future Sex.
*I wonder whether KILL is a reference to Solider of Fortune, but the first trials involving that magazine didn’t happen until the late 80s.

May 28, 2012 1 comment
Newspapers vs. Blogs in an Information Diet

Newspapers vs. Blogs in an Information Diet

I recently read Clay Johnson‘s book Information Diet and it’s changing the way I think about my consumption, production and sharing of media. I’m still trying to figure out what’s best for me as a media professional. How can I have a healthy media intake and remain gainfully employed? I need to keep up with what others are writing on my beats, what’s going on the tech industry as a whole and in the world in general. I also need to keep up with what’s going on in the journalism profession. Plus I have other interests I like to follow. All the while I need to avoid filter bubbles and expose myself to serendipity for the chance to make new connections and find new angles on beats.

As I try to work it all out, I enjoy reading about other writers’ media diets. Earlier this month Warren Ellis wrote that he reads about 100 blogs on various subjects, and indirectly addressed the issue of filter bubbles and serendipity.

“I read a newspaper every day, and I watch a well-produced, intelligent news analysis programme every night, and I have been known to leave 24-hour news running in a video window all day, and that still doesn’t give me a world picture in the way that my blog capture does,” Ellis writes. “The only way to find interesting things to talk about is to be open to the world as possible, and tune your machinery to bring as much of it to you as possible, without getting to the point where you’re getting no time to process it.”

I found that to be an interesting counter perspective to the notion that we get less, not more, variety from blogs than we get from a daily paper – the idea that, as expressed by Cass Sunstein, newspapers provide a better architecture for seredipity. Abe Burmeister called the suburbanization of information:

Physical newspapers play a similar mixing role, especially those that strive towards mass market audience. The more people they try to attract, the broader the mix of news stories. Turning the pages and sorting the sections is a constant reinforcement of the diversity of information in the world. We may ignore large chunks of it, but somewhere inside we know that other people actually do care about the sports section, science section, international affairs or the local stories.

As more and more people go online for news, we are losing site of the mix. News aggregators, blogs, email alerts and customizable websites give us a tremendous ability to focus our information. We surround ourselves with the news that we want to hear/see/feel. We can zip around in snug little information cocoons, isolated from the harsh reality of different ways of thinking. Those nasty conflicting viewpoints are relegated to trashbin of somebody else’s RSS feed.

William Gibson told Richard Metzger that Twitter is the greatest aggregator of novelty and that following the right 70 people is like a shopping bag full of imported magazines. Of course 70 is a really small number of people to follow on Twitter (and Gibson is now following over 100 as of this writing). And as Ellis points out, 100 blogs isn’t an astronomical number compared to some media junkies intake. Personally, I rely mostly on Twitter now for information aggregation and don’t use an RSS reader much anymore. I follow 402 people or publications on Twitter (down from about 600 before I read Information Diet). I’m trying to cut that number down further, hopefully to 200.

Of course Ellis and Gibson are professional writers of fiction, not journalists on a particular beat or citizens just trying to stay informed. I’m sure Ellis, and possibly Gibson as well, is also very consciously choosing people and publications to follow to avoid filter bubble and ensure some measure of serendipity.

I’ve often wanted some sort of “seredipity engine” that could show me random posts from a large pool of blogs – not too much stuff, just a small water fountain split off from a firehose, not filtered by what other people I follow read, not what’s popular with the world in general, and not sorted by what some algorithm thinks I want to read – just a nearly random list of articles outside my usual bubble. (I say nearly random because I would want it somewhat controlled to reduce the number of articles on the same topic, and to keep publications that publish multiple times a day to flood out publications on a less hectic schedule.)

May 20, 2012 6 comments
Notes from a William Gibson Q&A Session (9/08/10)

Notes from a William Gibson Q&A Session (9/08/10)

These are my notes from William Gibson’s Q&A session after his Zero History reading at Powells Books in Portland, OR on 9/08/2010 (here are some photographs from the evening). I thought initially that most of this would come up in other interviews, but I recently reviewed my notes and realized that although some of it has come up elsewhere, some of it is either unique or unusual. So I decided to type up my notes.

Gibson started off saying “Powells is the best book store in the world. It’s not even a book store, it’s a genre all to its own,” before reading the first chapter of Zero History. After the reading he said “The reason I write opening chapters the way I do is to get rid of all the people who won’t ‘get’ the book. They’re all fairly easy to read after the first chapter.” He then opened up to questions. Most, probably all, of these answers are incomplete – but close to direct quotes from larger answers. I didn’t ask most of these questions and didn’t get down the exact questions asked.

Q: What’s next?

Gibson: I have no idea. I have to have no idea. I know no one believes me, but I never intended to make trilogies. When I was learning about writing, I was told that trilogy was a long novel with a boring middle published separately. I think the books could be read in any order. I think I would be interesting to read these backwards. But maybe that’s too advanced.

[of course now he's said that his next novel will probably be about the future]

Where do you go for inspiration?

I’m not a globe trotting writer/researcher. Wherever I happen to go usually ends up in the book. For example, I happened to go to Myrtle Beach a few months before I wrote the book and I thought it was suitably weird.

Asked about predictions.

I’m not interested in the sort of sci-fi that does or doesn’t predict the iPad. I’m interested in how people behave.

Asked about the intelligence communities in his books

I don’t want anyone to think I’ve gone “Tom Clancy” but what you find is that you have fans in every line of work. How reliable those narrators are I don’t know, but they tell a good story.

Asked about humor in his work.

Neuromancer was not without a comedic edge. My cyberpunk colleagues and I back in our cyberpunk rat hole sniggered mightily as we slapped our knees.

But writers can’t have more than two hooks. “Gritty, punky,” sure. “Gritty, punky, funny” doesn’t work.

I asked him about the slogan “Never in fashion, always in style” because I read that slogan on his blog and never found out what company that slogan actually belonged to.

Aero Leathers in Scotland. But they weight too much. You wouldn’t tour in a WWII motorcyle jacket unless of course you were on a WWII motorcycle. [Gibson reportedly wore an Acronym jacket on the Zero History tour]

Asked about Twitter

Twitter is the best aggregator of novelty anywhere. There’s more weird shit there than anywhere. It’s the equivalent value of $300 worth of imported magazines for free every day.

Asked about hypertext/electronic media and how it is changing his work.

The book is a cloud of hyperlinks. You can Google any unfamiliar phrase and you will be sort of walking in my shoes, going where I did in my research. The links are there, and there’s even some easter eggs.

I’m not sure what question this was in response to

I large part of my narrative comes from growing up in a particularly backwards part of the south, which had a particularly spoken culture.

Asked about his favorite contemporary writers

[Anything by Iian Sinclair, Zoo City by Lauren Bach, Jack Womack's Random Acts of Senseless Violence, which he found "wounding."]

Asked about the punk influence on his work.

It wasn’t the Sex Pistols, it was Waylon and Willy.

Asked what sci-fi influenced him.

Certain sci-fi that never had much impact on the mainstream of the genre. My novels have had very little impact as well. If you don’t believe me, go down to a sci-fi specialist shop. Cyberpunk has become a descriptor – cyberpunk albums, cyberpunk pants.

Asked about cyberpunk’s legacy.

Anything with a manifesto ends up looking silly.

Asked what he thinks of the post-cyberpunk writers, Cory Doctorow et al.

I think the original cyberpunks were a little thin on the ground.

See also: William Gibson dossier.

April 10, 2012 1 comment
Good Interview with The Net Delusion Author Evgeny Morozov

Good Interview with The Net Delusion Author Evgeny Morozov

Good interview with The Net Delusion author Evgeny Morozov:

You once tweeted that ‘the term censorship has become meaningless’. Why? And what does it mean exactly?

I have? Half of my tweets are not meant to be serious. But, sure, I do find that a lot of debates about censorship – and especially Internet censorship – operate in very binary terms – i.e. people just look at whether a given site is blocked or not. This may have worked ten years ago but now we have much more sophisticated methods of control, ranging from cyber-attacks (which knock out a site for a short period – but the timing might be crucial) to self-policing by Internet companies to massive trolling. We need to find ways to conceptually allow for those new methods of control as well. [...]

Did the ‘Arab Spring’ and Occupy movements lower your skepticism about ‘hashtag activism’?

I’ve never used the term “hashtag activism” but the short answer is “no”. Furthermore, I’m not sure that my position here adds up to “skepticism”; as I state in the book and in the afterword, I have no problem acknowledging that Twitter and Facebook can be great for spreading information and mobilizing people. My concerns – and these are purely normative concerns – are that these tools may also be giving some budding social movements false hopes of being able to transcend the ugliness of political life and simply fight the man from within their Facebook profiles. The less it happens, the better – I’m not arguing that this is an inherent feature of all campaigns that take place online, only that this is one possible outcome and that participants (and especially policymakers who may be thinking of how to invest their money and attention) need to be aware of this possible outcome.

Journalism Festival: @evgenymorozov: openness always good, control always bad? crazy!

(via Justin)

See also:

Morozov’s TED talk How the Net aids dictatorships

Birthers and the democratization of media

April 9, 2012 0 comments