Tag Archives: Mediapunk

Online Comics Cannibalizing Print Sales? One Creator Says “Nope”

A few months ago I linked to Brian Wood’s post on how comic creators were caught in the cross-fire between publishers and comic shops over digital publishing sales.

But here’s some more evidence of what Warren Ellis already found out with Freak Angels. Jim Zubkavich, creator of Skullkickers from Image Comics, started serializing his comic online for free. The results:

Good news: Serializing the issues hasn’t negatively affected our sales one bit. Our trade sales through comic and book stores are up, steadily climbing. Making more people aware of the series has made them want the current material more, not less. Quality and good word of mouth is helping build our readership in shops bit by bit.

Better news: At conventions I’m selling a lot more. I’m not twice the sales person I was last year, but I’m selling more than double the number of books since we started serializing online. 9 times out of 10, I’m selling it to people who read the series online. I asked almost every person who came to my table if they’d heard of Skullkickers before. No word of a lie, when they said “yes”, 90% of those folks also said they were reading it online. It shocked me.

Jim Zubkavich: Everybody Wins

(via Comics Worth Reading)

This doesn’t mean, though, that paid digital downloads through tablets wouldn’t cannibalize comic shop sales, but this is indeed good news for creators, publishers and retailers.

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The Four Types of Scoops

Jay Rosen recently presented his own theory of scoops:

Type One: The enterprise scoop. “Where the news would not have come out without the enterprising work of the reporter who dug it out.”

Type Two: The ego scoop. “This is where the news would have come out anyway–typically because it was announced or would have been announced–but some reporter managed to get ahead of the field and break it before anyone else.”

Type Three: The traders scoop. “This is the most ambiguous of my categories. It recognizes that there can be situations in which, for the general public, ‘who got it first?’ is next-to meaningless, but for a special category of user–the traders, investors, arbitrageurs–minutes and even seconds can count.”

Type Four: The thought scoop. “The most under-recognized type of scoop is the intellectual scoop: ‘stories with new insights’ that coin terms, define trends, or apprehend–name and frame–something that’s happening out there… before anyone else recognizes it.”

In my rant Getting Scoops Is Not (Necessarily) the Same as “Doing Journalism”., I’m basically talking about the difference between what Rosen calls “enterprise scoops” and “ego scoops.” The thing is, ego scoops do matter financially to tech publications – the first blog to get a story will generally be rewarded with more traffic. Because of that, I don’t judge my fellow tech reporters chasing these sorts of scoops, in fact I do it myself. The unfortunate thing though is that the tech journalism community seems to have lost track of the difference between enterprise and ego scoops (as have quit a few other journalistic communities, I take it).

There can be a degree of luck involved in getting enterprise scoops as well. Being the in the right place at the right time when someone mentions something. A lot of the dirty work is actually done by non-profit “wachdog” organizations. But it also means recognizing a real story, and doing the digging and fact checking to turn it into something substantial and not just a quick hit gossip piece. It means developing sources so that you’re the person that gets a tip.

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The Psychology of Punditry

Juian Sanchez speculates that that our contemporary mediasphere has become hyperpolarized not just because of the “filter bubble” problem, but also as a result of the coping mechanisms adopted by pundits who are constantly assaulted by a barrage of uncivil criticism:

The nice way to say this is that selects for pundits who have a thick skin—or forces them to quickly develop one. The less nice way to say it is that it forces you to stop giving a shit what other people think. Maybe not universally——you’ll pick out a domain of people whose criticisms are allowed to slip through the armor—but by default.

Probably it always took a healthy ego to presume to hold forth on a wide array of public issues, confident that your thoguhts are relevant and interesting to the general populace, or at least the audience for political commentary. But in a media space this dense, it probably takes a good deal more.

If the type and volume of criticism we find online were experienced in person, we’d probably think we were witnessing some kind of est/Maoist reeducation session designed to break down the psyche so it could be rebuilt from scratch. The only way not to find this overwhelming and demoralized over any protracted period of time is to adopt a reflexive attitude that these are not real people whose opinions matter in any way. Which, indeed, seems to be a pretty widespread attitude.

Julian Sanchez: The Psychological Prerequisites of Punditry

(Thanks Skilluminati)

It makes sense. Busy blogs and forums can get toxic fast. I got a lot of vitriolic comments while covering enterprise tech at ReadWriteWeb, and can only imagine what someone blogging on more popular topics at a bigger blog would experience (especially if I were a women). It can be tough to keep going. It makes sense that only a certain type of personality is going to keep blogging in public, and that you’d get worse at taking any sort of criticism from outside your own circle at all.

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Alex Burns on the Creation of The Book of Oblique Strategies

Alex Burns, who was editor of Disinformation from 1998 to 2008, has made his work The Book of Oblique Strategies available online as a free PDF. It’s not so much a work on Brian Eno and Peter Schmidt’s famous deck. Alex describes it as a channeled work in the vein of Aleister Crowley’s Book of Lies.

In addition to the work, Alex has explained how he came to write it and its significance to him. I don’t really understand the work itself and haven’t read the list of prerequisites that Alex suggested. But I appreciate the insight into Alex’s life and work and think anyone else who was shaped by Disinfo during his tenure as editor will appreciate it as well. Characteristic of Alex’s work at Disinfo, the write-up is more link dense Memepool and contains a huge number of references connecting seemingly disparate people and ideas.

My life changed dramatically in the next month. I hit a series of simultaneous inflection points or a Black Swan event cascade that overshadowed the document. REVelation Magazine folded and could not publish my interview with the late ethno-botanist Terence McKenna. 21C Magazine folded and could not publish my interview with space migration advocate Marshall Savage. The real estate sold out the rental house from beneath us. The relationship broke up. The 20th anniversary loomed of my mother’s death in a car accident on 28th March 1978. I experienced a period of referential ideation and had a nervous breakdown that my family helped me to recover from. I then struggled to pull together freelance magazine articles. When reconciliation was impossible with my former girlfriend, I attempted suicide (which influenced a later article on the Nine Inch Nails album The Fragile). A few months later I started to correspond with Richard Metzger and to write for the Disinformation alternative news site. I attended an academic seminar on process philosophy. Sean Healy invited me to This Is Not Art. I negotiated re-enrolling in my undergraduate degree on film and politics. Hence, the ‘Ordeals of Transmutation Fire.’

Alex Burns: The Book of Oblique Strategies

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Henry Rollins and RE/Search’s V. Vale on Occupy Wall Street

At the LA Zine Fest, V. Vale tells Henry Rolls about about his idea for an “Occupy Handbook” collecting posters and slogans from the movement worldwide. Rollins talks about his collection of George W. Bush graffiti from around the world.

(via V. Vale on Twitter)

See also:

The official RE/Search site

Richard Metzger and R.U. Sirious on Occupy Wall Street

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Getting Scoops Is Not (Necessarily) the Same as “Doing Journalism”

There’s been a bit of a shitstorm the past few days over TechCrunch blogger turned venture capitalist M.G Siegler’s defense of Path, a social networking company that the CrunchFund (a VC firm where Siegler is a partner) invested in. Dan Lyons (probably best known for his alter ego Fake Steve Jobs) skewered Siegler well enough. Siegler’s rant about the failings of tech journalists is mostly a distraction, a cover for the real issue: the cavalier attitude startups, including one that Siegler’s firm invested in, have towards privacy and security of its users (who are, generally, the product and not the customer).

But Siegler did touch a nerve when he talked about the poor quality of so much tech journalism. It’s nothing new, the problem has been there for everyone to see for the past few years. AOL’s official policy was exposed a year ago by Business Insider, a company notorious for following a similar content farming model. There’s even an entire book now dedicated to helping people create reasonable “info diets” (a subject near and dear to my heart, though I’ve not yet had time to read it).

It’s a real problem, and Siegler, to his credit, admits that he was was one of the worst offenders during his time at TechCrunch. Now he’s part of a whole new problem exemplified by the CrunchFund and PandoDaily, but that’s not what I want to write about today. Nor do I want to focus on the high speed production of numerous low quality blog posts. That’s a long standing problem that’s been plain to see for quite a while, a product of a flawed business model for journalism and “content” in general. We’re trying to solve the business model problem at SiliconAngle, but I think there’s a deeper issue at play here.

Since The Verge published its best tech writing of 2011 list I’ve been thinking about the fact that no tech blogs actually made this list, unless you count VC Dave Pell’s blog. But none of the usual suspects – TechCrunch, VentureBeat, ReadWriteWeb, GigaOM, etc. Why is this? Part of it may be the pressure to constantly pump out new posts, multiple times a day, which leaves little time for writers to do in-depth journalism and quality writing. But I think there’s something else to it. Jay Rosen has written about the ideology of the mainstream political press. I think there’s an ideology of tech blogging, and I think that ideology reduces the overall quality of reporting. I think it’s the ideology of “the scoop.”

There are huge pressures to post a story first. Not only does it get you on TechMeme, but probably more importantly it gets your story more traction in social media, from Twitter to Reddit to Hacker News. Speed is the name of the game. It’s tempting to blame speed itself as the problem, but I think it’s this scoop mentality itself.

Adrianne Jeffries of BetaBeat (who I worked with briefly at ReadWriteWeb) put it best to me a while back: most of these “scoops” are things that everyone is going to know about soon anyway. The Kindle Fire, a new Google feature, the latest round of funding for a startup – all of this this is stuff these companies actually pay people to promote eventually. By racing to be the first to tell the world about some companies future announcement, we’re actually competing to serve as PR people for the companies we’re reporting on.

Update: Jay Rosen has helpfully categorized four types of scoop. What I’m talking about here is the different between “enterprise scoops” and “ego scoops.”
I’m not opposed to chasing this sort of scoop – I do it too. But it’s not the end all be all of doing journalism. In fact, in many cases there’s little to no journalism being done. The easiest way to be first is simply to break a news embargo – something that used to be an official policy at TechCrunch (I’m not sure whether it still is). I’m not sure this really counts as a “scoop,” but it’s one quick and dirty way to approximate one, and it’s one that requires nothing but re-writing a press release and publishing before any one else does.

Most of what we think of as “scoops” are at least a bit more involved than breaking an embargo. Unless the journalist gets lucky and overhears some execs talking about something in line at a Silicon Valley burrito joint, there’s some measure of source development going on behind the scenes of a scoop. Source development is one dimension of journalism, and it’s a very important one. Still, most of the scoops I see are still pretty shallow. A source inside a company tells a journalist about a forthcoming product, service or other announcement coming from the company. The journalist writes down what the source said and publishes it. There’s little other research or fact checking going on (Mike Arrington allegedly went to great pains to verify that his scoops were legit, but that’s apparently not common practice, and I have my doubts about how he actually sourced his scoops). Maybe there’s some speculation about whether this product will actually be competitive against a comparable product from Apple, but that’ll be it. Once the source spills the beans, this sort of post can be done very quickly, in hours or even minutes. There are a few counter examples, like when bloggers dogpile on a company that makes a mistake – I guess that helps us feel like we’re fulfilling our “watchdog” role. But the vast majority of scoops are product announcements. It’s still a far cry from the “muckracking” we expect from political journalists.

Why is this a problem? It creates an artificially low expectation of the time it takes to do journalism (if you can write a post about some forthcoming Twitter function in an hour based on a scoop from an insider, why spend more than that on a “non-scoop”?), it limits tech journalists ideas of what stories are and are not worth covering and it limits the role of the tech journalist to shilling for the companies they cover. It makes our role into professional waiters-for-something-happen rather than professional investigators or explainers.

Now let’s take a story from The Verge’s list as an example: Ken Auletta’s New Yorker story on Facebook COO Sheryl Sandberg. There’s no “scoop” here. No new Facebook features, no juicy gossip about Mark Zuckerberg, no IPO date. But there’s tons of insight into Sandberg, into what women experience in corporate America, and into Facebook as a company. Auletta likely spent days, probably weeks, researching and writing this piece. It’s the sort of quality stuff we all say we want to see more of, but few of us actually do. Partially of course because we don’t have the time, we’ve got posts to write and post TODAY. But partially, I think, because we don’t recognize the *story* here because it doesn’t fit with our ideology of the scoop.

It might not be fair to ask daily tech blogs to do the same sort of long form journalism that high brow magazines do, any more than it would be fair to ask a local daily newspaper to be Harper’s. But I think the contrast between scoop-driven tech blogs and the way other publications handle tech stories is illuminating because it shows a difference not just in the number of words or time spent on a story, but a difference in the type of story. There’s actually an opportunity for PR here, which I talked a bit about this in an interview on Sam Whitmore’s Mediasurvey (it’s behind a paywall, alas), and have a half-written blog post waiting to be finished.

The thing I’d like to see is a greater variety in the type of story, and a shift from the scoop mindset of quick hits about a new product to a mindset that sees technology journalism as more encompassing.

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New Online Comic: The Yankee by Jason Leivian and Ian MacEwan

The Yankee (probably not safe for work) is a new serialized online comic by former Arthur Magazine comics editor and Floating World Comics owner Jason Leivian and artist Ian MacEwan (aka Popjellyfish).

“The Yankee is a dumb American. He’s Cosmo Vitelli. He’s Prince Rogers Nelson. He’s a Richard Pryor monologue. Psychedel-economic fiction set in the Nation States of America.”

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ACLU Sues Library for Blocking Wiccan Websites

Pentacle

The American Civil Liberties Union (ACLU) of Eastern Missouri sued a local public library on Tuesday for allegedly blocking websites related to Wicca, a modern pagan religion.

Anaka Hunter of Salem, Mo., said she tried to access websites about Wicca, Native American religions and astrology for her own research, but the library’s filtering software blocked the sites.

According to the ACLU, the software labeled the sites as “occult” and “criminal.”

The Hill: ACLU sues library for blocking Wiccan websites

Bonus: the library director is accused of saying she had an obligation to report people who accessed said sites to the police.

Have we really learned nothing from the West Memphis Three fiasco?

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Klintron Guest Post at Innovation Patterns

Bear in a taxi cab

I don’t believe I’ve linked to Innovation Patterns here yet. It’s a new link blog from former Technoccult guest editor Justin Boland of Brainsturbator and Skilluminati. Every day there’s a nice big plate of brain food all prepared for you and ready to consume and digest.

Anywhoo, I guest curated the latest post. Some of these links will look familiar to regular readers here, but there’s some new stuff in there as well.

Klintron’s guest post at Innovation Patterns

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RIP Comics Code Authority

The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America

Whoa, just saw Archie dropped the Comics Code Authority seal at the beginning of this year (yeah, I’m pretty late with this one):

With time the moral panic subsided, the rules softened, and a new wave of adult-oriented titles appeared. In 2001 Marvel Comics adopted its own rating system and dropped the code altogether. In January 2011 the other major comic book publisher, DC, did the same thing. And a day after DC’s decision, Archie Comics followed suit.

Reason: The Comics Code Goes Cold

And last month the Comic Book Legal Defense fund acquired the Code’s intellectual property:

The Comic Book Legal Defense Fund today announces that it has received the intellectual property rights to the Comics Code Authority Seal of Approval in an assignment from the now-defunct Comic Magazine Association of America, which administrated the Code since the 1950s.

The Comics Code Seal comes to the CBLDF during Banned Books Week, a national celebration of the freedom to read, and just a few months following a decision in the U.S. Supreme Court where Justice Scalia cited CBLDF’s brief addressing the comics industry’s history of government scrutiny and the subsequent self-regulation the Comics Code represented. Dr. Amy Nyberg, author of Seal of Approval: The History of Comics Code has prepared a short history of the Comics Code Seal and the era of censorship it represents exclusively for CBLDF that is available now in the Resources section of cbldf.org.

CBLDF Receives Comics Code Authority Seal of Approval

See also:

The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America by David Hajdu.

The New Yorker’s lengthy coverage of the above book.

Online text of Seducing the Innocent (with different illustrations from the original print version).

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