The Key is a short, wordless webcomic by Grant Morrison and Rian Hughes and published by the BBC.
The cover of DMT: The Spirit Molecule
I’m reading Grant Morrison’s Supergods right now, and I’ll probably have more to say on it in the future. But I’ve just passed a part in the book where he talks about the Sekhmet Hypothesis, and wanted to get some thoughts down right now.
The gist of the Sekhmet Hypothesis, as explained by Morrison, is that every 11 years culture shifts as sunspot activity waxes and wains. At one pole is “hippie” culture characterized by longer pop songs, longer hair baggy clothes, psychedelics and an emphasis on peace and love. At the other pole is punk culture, which is characterized by shorter pop songs, short hair, tight clothes, stimulants and an emphasis on anger and rebellion.
Update: Iain Spence, the originator of the Sekhmet Hypothesis and author of a book on the subject left a long comment that’s worth reading. It appears, first of all, that Morrison’s punk/hippie description of the hypothesis is much oversimplified (or perhaps I misunderstood his interpretation of it, this is like a game of telephone – if you want the real scoop on the hypothesis, go to the source). Second, Spence has updated the hypothesis having admitted that he was wrong about the solar cycle aspect of it, among other things.
So it would go:
I could add the surge of mind fuck movies in the 90s, and their come back in the 10s, but as some readers pointed out in my earlier post on the subject, those types of movies didn’t entirely die out in the 00s. Also:
It’s really hard for me to accept that “punk” is the opposite of “hippie.” The 60s counterculture wasn’t always peaceful and non-violent, and the punks, with their love of Jamaican music, antiwar songs and their vegan and vegetarianism were a lot more hippie-ish than many gave them credit for.
It’s hard, given the number of exceptions to the formula, to swallow the idea that there’s a real, society-wide pull between punk and hippie every 11 years. Others have critiqued historicity before, and I don’t need to go there.
But there may be pattern of rising and falling tides of psychedelia, perhaps accompanied by a sense of optimism and energy that eventually dissipates. The 60s had acid, the 90s had ecstasy. And I’m hearing that DMT is becoming a common strong street drugs these days, and the new cool thing to listen to is apparently the sound of a modem slowed way down. We could be in for some weird times indeed.