My tendonitis is flaring up and my stomach is killing me, so instead of writing up something new, here’s part of a Vectors that was originally going to go out November 29th, 2014 but that I didn’t finish due to …
This would have followed the Fantastic Death Abyss.
There’s often a sense that women in the tech world make a big deal out of small events. But the myriad ways in which they are told their presence is illegitimate, that tells them that they don’t belong, is a constant pressure pushing them towards leaving technology (and game journalism, and the public sphere). In particular, when women in technology also have public voices, as with Anita Sarkeesian or Brianna Wu or Kathy Sierra, the pressure can be—is often intended to be—crushing.
I don’t think being a woman in technology is worth dying for, but I learned early that some men think it’s worth killing for.
After posting about David Bowie’s Outside, I stumbled across Pushing Ahead of the Dame, a site written by one Chris O’Leary, dedicated to annotating every single Bowie song ever. There I learned about Leon a bootleg that may have been what Bowie originally intended Outside to be. And via O’Leary’s annotations, I’ve come to realize that OrpheanLyricist’s interpretation of Outside‘s story line is, though valid based on what was actually released, certainly not what Bowie had originally intended.