Glenn Fleishman explains the “pickup artist” (PUA) community, and the recent controversy about a PUA book on Kickstarter that advocated sexual assault:
PUAs aren’t typically an overlap with the frat-boy stereotype of athletes and aggression. Rather, PUAs are social misfits who appear to be incapable of reading and responding to social signals. Just as the Ana subculture arose on the Internet extolling anorexia, which is medically and socially unacceptable even as the body image associated is perpetuated through media, the PUA subculture seems to thrive because it’s found a home in which such discussions are encouraged and cultivated.
And it is undeniable to these men that women meet other men and then, immediately or after a number of dates, engage in sexual concourse with them. Why not them? It must not be their personality, pheromones, conversational style, or appearance. There must be a secret that some men have that they have missed, and thus a culture of tips, tricks, and strategies develops. [...]
Mutually consensual behavior initiated by either party isn’t assault, of course, nor does it have to be spoken aloud. But it requires the ability to read signals and respond to them to know whether consent exists, and to stop — not “escalate” — when there’s ambiguity. This category of book provides the excuse for consent to men who can’t read signals. The book is advising sexual assault under the guise of something the woman wants but can’t ask for. That’s not consent.
Full Story: Boing Boing: Kickstop: how a sleazebag slipped through Kickstarter’s cracks
Something that’s bothered me lately about many critiques of internet subculture I’ve read recently. For example, Stephen Bond ‘s rants about skeptics and the Less Wrong community. He wrote about skeptics: “You’ll quickly find that the majority of visitors are not drawn there by concern for the victims of irrationality, but by contempt. They’re there to laugh at idiots.” And: “The average skeptic has little time for spreading the word of reason to the educationally or intellectually lacking. His superior reason is what separates him from the chumps around him, and he has no interest in closing the gap.” But Bond seems to fall quickly into a similar trap: he bashes skeptics and Bayesians, decrying their lack of ethics and implying his own moral superiority (someone on Metafilter suggested that Bond did this on purpose to parody those communities). There’s no compassion, no insight into why someone might become swept up in these communities other than “because they’re assholes.”
It’s a hard impulse to shake. It’s easy to get so angry at someone — internet scammers, religious people, pickup artists, libertarians, whoever — and end up seeing them as something less than human. I’ve done it many times right here on this blog. It’s hard to be compassionate or to see what attracted someone to this point of view. But that’s incredibly important not just to help win people over — which is very hard — but to help others understand the culture that you’re critiquing and why they are wrong. “They do these things because they’re assholes, and they’re wrong because they just are” isn’t a compelling argument. I think it’s why so many people have trouble with Evgeny Morozov’s work. Morozov doesn’t, at least in what I’ve read of his work, ever stop to ask why someone might believe what they do. He takes it for granted that everyone he criticizes is either a fool or a charlatan or both. It wears thin quickly, not just because it’s mean spirited but because it doesn’t read as a well-rounded critique. It reads as a rant meant solely for those who already agree with him, as a chance to make fun of the chumps who have bought into the “solutionist” ideology.
Fleishman doesn’t go easy on the PUAs, but he does explain why what they do is wrong, why someone might try it anyway, and why the people involved in it don’t realize what they’re doing is wrong. That makes it a far more powerful critique than most of what I’ve been reading lately.
If you want more info on the PUA culture and methodologies: The Observer’s review of Neil Strass’ book on pickup artistry and Jeff Diehl’s article on “speed seduction.”