What do you see as the main strengths and weaknesses of the medium you work in?
The allure of wordplay, yum yum. There’s that delicious brainmeat frission that happens when you read or craft just the right turn of phrase. But the medium has its weaknesses, too, in that words… well, they fail. A lot. Words fail me every day. All the time. Because they put me at a remove from more atavistic sensations, connections, communications. Which is why I love music so much– the ribcage-expanding, gut-and-capillary level reaction it can trigger. Music is my magick. Also, the visual resonance of art and design: when I lean both my body and my brain into a piece of music… I see landscapes and I feel textures. And then that’s when the most unfailing words come– stories that have steeped in sounds and images.
How has technology impacted upon the work you do?
Immensely. In too many ways to count. Coilhouse Magazine couldn’t have existed without the global network we all built together online, and the kinship that sprang up from it. More generally, I’d say that many of the most wonderful collaborators I’ve worked with, across multiple mediums, are thanks to BBSs and chat rooms, and later on, social networking sites like Livejournal, Twitter, Tumblr. Every day, no matter where I am in the world, I can interface with authors, fashion photographers, editors, musicians, and filmmakers… all thousands of miles away. With a good pair of headphones and an Apogee One, I can (and have) recorded full-length film scores on my laptop in the midst of traveling internationally. I’m about to email this interview to you while I’m at ten-thousand feet in an airplane. I have cherished loved ones that I’ve never met face to face, and it’s a non-issue, because we’ve found ways to share our art. This world, and my subsequent work, is largely post-geographical, and I find that miraculous.
Full Story: In To Views: Meredith Yayanos
I hadn’t realized it, but the new Parlour Trick album is available on Bandcamp.