Post Tagged with: "alan moore"

Lost Alan Moore Comic: Big Numbers # 3

Lost Alan Moore Comic: Big Numbers # 3

Big Numbers 3

I dug ever so slightly deeper into why I love the Master, the Alan Moore archive site I mentioned recently, and found another rare gem: the long lost Big Numbers # 3. It’s actually been up since March, 2009 – I don’t know this has escaped me for so long.

After Bill Sienkiewicz quit Big Numbers after completing two issues and beginning a third, Tundra hired Sienkiewicz’s assistant Al Columbia to complete the project. Columbia finished issue 3 and part of issue 4, but then, well, something happened. Issues 3 & 4was long thought destroyed, but it turns out that photocopies of 3 surfaced on eBay last year and are now available for your reading pleasure, with the blessing of Moore (but not necessarily Columbia and Sienkiewicz).

Big Numbers # 3

Our Alan Moore dossier

November 4, 2010 0 comments
Lost Alan Moore Essay on Magic

Lost Alan Moore Essay on Magic

An essay on magic by Alan Moore originally meant for Joel Biraco‘s KAOS 15 has finally seen the light of day.

Regard the world of magic. A scattering of occult orders which, when not attempting to disprove each other’s provenance, are either cryogenically suspended in their ritual rut, their game of Aiwaz Says, or else seem lost in some Dungeons & Dragons sprawl of channelled spam, off mapping some unfalsifiable and thus completely valueless new universe before they’ve demonstrated that they have so much as a black-lacquered fingernail’s grip on the old one. Self-consciously weird transmissions from Tourette’s-afflicted entities, from glossolalic Hammer horrors. Fritzed-out scrying bowls somehow receiving trailers from the Sci-Fi channel. Far too many secret chiefs, and, for that matter, far too many secret indians.

Beyond this, past the creaking gates of the illustrious societies, dilapidated fifty-year-old follies where they start out with the plans for a celestial palace but inevitably end up with the Bates Motel, outside this there extends the mob. The psyche pikeys. Incoherent roar of our hermetic home-crowd, the Akashic anoraks, the would-be wiccans and Temple uv Psychic Forty-Somethings queuing up with pre-teens for the latest franchised fairyland, realm of the irretrievably hobbituated. Pottersville.

Exactly how does this confirm an aeon of Horus, aeon of anything except more Skinner-box consumerism, gangster statecraft, mind-to-the-grindstone materialism? Is what seems almost universal knee-jerk acquiescence to conservative ideals truly a sign of rampant Theleme? Is Cthulhu coming back, like, anytime soon, or are the barbarous curses from the outer dark those of Illuminists trying to find their arses with a flashlight? Has contemporary western occultism accomplished anything that is measurable outside the séance parlour? Is magic of any definable use to the human race other than offering an opportunity for dressing up? Tantric tarts and vicars at Thelemic theme nights. Pentagrams In Their Eyes. “Tonight, Matthew, I will be the Logos of the Aeon.” Has magic demonstrated a purpose, justified its existence in the way that art or science or agriculture justify their own? In short, does anyone have the first clue what we are doing, or precisely why we’re doing it?

Certainly, magic has not always been so seemingly divorced from all immediate human function. Its Palaeolithic origins in shamanism surely represented, at that time, the only human means of mediation with a largely hostile universe upon which we as yet exerted very little understanding or control. Within such circumstances it is easy to conceive of magic as originally representing a one-stop reality, a worldview in which all the other strands of our existence…hunting, procreation, dealing with the elements or cave-wall painting…were subsumed. A science of everything, its relevance to ordinary mammalian concerns both obvious and undeniable.

Fossil Angels part 1

Fossil Angels part 2

(via Cat Vincent)

I haven’t read the whole thing yet, but it seems to cover some of the same ground as his essay from Dodgem Logic 3.

It’s been published by a site called why I love The Master, which has all sorts of wonderful Alan Moore stuff, including this American Splendor strip written by Harvey Pekar and drawn by Moore.

Alan Moore, Harvey Pekar

For more on Moore, check out our dossier on him.

October 21, 2010 3 comments
Alan Moore and Melinda Gebbie Interview at Academic Alan Moore Conference, John Dee Opera Canceled

Alan Moore and Melinda Gebbie Interview at Academic Alan Moore Conference, John Dee Opera Canceled

Alan Moore and his wife/collaborator Melinda Gebbie were interviewed at The University of Northampton’s Magus: Transdisciplinary Approaches to the Work of Alan Moore conference. Above is the first part. The rest is on this playlist.

During part 4 Moore says that he wrote about 1/3rd of the Gorillaz John Dee opera libretto, but the project has now been canceled. The good news is that the portion Moore finished will appear in the next issue of Strange Attractor. Moore says he began writing the libretto in good faith, without contract or pay, with an agreement from the Gorillaz that they would contribute a few pages to issue 3 of Dodgem Logic. Eventually, Moore found that no one else seemed to be working on the opera and more and more was expected of him – costume design, stage design ideas, etc. When the Gorillaz failed to deliver material for Dodgem Logic, Moore backed out of the project.

(via Arthur)

Also: Alan Moore promotional interview for Dodgem Logic # 3 (I’m sold!)

Our Alan Moore dossier

June 10, 2010 0 comments
Was Alan Moore on LOST?

Was Alan Moore on LOST?

Was Alan Moore on Oceanic Flight 815?

Alan Moore

Was Alan Moore on Oceanic flight 815? It was either him, or someone deliberately meant to look like him (note the rings!). I noticed this guy and commented on him while watching the season premiere (“LA X”), but didn’t think much of it. That is, until I was the above screencap from Bleeding Cool.

What are the chances it was actually him? Well, Moore appeared on The Simpsons and recently name dropped the Sopranos in an interview, so we know he’s not totally adverse averse to American television.

See also: Alan Moore’s influence on LOST.

February 13, 2010 5 comments
Alan Moore collaborating with the Gorillaz, and more

Alan Moore collaborating with the Gorillaz, and more

Mustard interviews Alan Moore about his new magazine Dodgem Logic and he reveals that he is doing the libretto for their next opera and they will hopefully be contributing a few pages to the magazine:

Then the issue after that we’ve hopefully got Gorillaz onboard. They came down to Northampton last week because we’re planning for me to do the libretto on their next opera project. Being an opportunist, I of course asked them if they’d be prepared to contribute some pages to Dodgem Logic. Rather than just doing an interview with them, I thought it would be interesting to hand over a few pages for them to curate.

Mustard: Alan Moore talks Dodgem Logic

(via 24 Bit via Joe Matheny)

Update: Moore now says this has been overblown.

November 9, 2009 0 comments
League of Extraordinary Gentlemen and LOST

League of Extraordinary Gentlemen and LOST

Wired: The League is interesting because of its dependence on that vast canon. Everything from pulp up through every novel that’s been written gets hologrammed.

Moore: In the first two volumes we were dealing mainly with characters from literature, because characters from literature were all that were around up until roughly the end of the 19th century. With this one, the first one set in 1910, we’re using characters from the stage as well as literature. We’re using the whole Threepenny Opera storyline. With the second one, set in 1969, we’ve got access to all of the films and television that were around then. The third part, set in the present day – 2008, 2009 – we have characters from all of the new media that have evolved over the past 30 years.

It is interesting – it is an expanding cast of characters, and I suppose we’re attempting to come up with a kind of unified field theory of culture that actually links up all of these various works, whether they’re high culture or low culture or no culture.

From: Wired interview with Alan Moore.

Interesting to me because of my theory that LOST is “every story.”

Also remember that Watchmen, written by Moore, was a huge influence on LOST.

March 3, 2009 1 comment
Alan Moore on the Simpsons – Screen Caps and Summary

Alan Moore on the Simpsons – Screen Caps and Summary

alan moore on the simpsons

Screen caps and summary of Alan Moore’s appearance on the Simpsons

(via Robot Wisdom)

December 23, 2008 1 comment
The Occult Origins of Lost

The Occult Origins of Lost

I wrote an article on Lost and the occult for Key 64. Probably nothing new for readers of this blog.

ABC’s Lost isn’t the first pop culture phenomena to crib from occultism – movies, television shows, and video games have integrated occult themes and rituals for years. But one thing that sets Lost apart from the crowd is the apparent sincere interest on the part of executive producer and co-creator Damon Lindelof. While most pop cultural attempts at integrating magic and the occult are done merely to add atmosphere to the story, Lindelof has a deeper interest in the material. And rather than beating the viewer over the head with “authentic” occult rituals, Lindelof is more content to pepper the series with references and concepts, leaving the the viewer to decipher their significance.

Full Story: Key 64.

March 11, 2008 0 comments
The Word: More Alan Moore

The Word: More Alan Moore

“We’re thrilled to have interviewed Alan Moore – creator of benchmark comics Watchmen and V For Vendetta and longtime WORD hero – in FACE TIME this month. Alan is one of the planet’s great conversationalists and we could fit only a part of our 90 minute discussion in the magazine. So, in the spirit of the Extended Deluxe Double CD edition, here’s some more of Mr Moore discussing his new work of “literary pornography” Lost Girls, his century-spanning supersaga The League of Extraordinary Gentlemen… and why Heroes is rubbish.”

(via The Word)

February 17, 2008 2 comments
A Voyage to Arcturus

A Voyage to Arcturus

A Voyage to Arcturus

The full text of the gnostic sci-fi novel A Voyage to Arcturus, a book Alan Moore cites as one of the best underrated books of all time, is available for free on the Gutenberg Project.

A Voyage to Arcturus full text

You can also buy it in print, though the edition with an introduction by Alan Moore appears to be out of print.

March 22, 2007 2 comments