Alan Moore’s mentor Steve Moore (no blood relation) passed away this month. In his memory, photographer Mitch Jenkins has posted the entirety of his work on the Unearthing, a biography of Steve written by Moore.
Let’s get something out of the way upfront: I don’t think Alan Moore is a racist, homophobe or misogynist. But some of his works — particularly League of Extraordinary Gentlemen and Neonomicon — have issues. Although it might seem silly to go after Moore when there are much worse offenders both in comics and other media (not to mention actual rapists), Moore’s work is a good case study of how even the most well intentioned, progressive writers can screw-up matters of race, gender and sexuality. And because he is perhaps the most highly regarded writer in comics, there’s a trickle down effect from his work. Moore refuses to listen to his critics, but maybe other writers can learn from his mistakes.
Last week Pádraig Ó Méalóid published an interview with Alan Moore in which he asked a few questions about sexual assault in his comics in general and specifically about his inclusion of Golliwog in League of Extraordinary Gentlemen: Black Dossier.
Moore’s response is long and vitriolic, and misses the point entirely.
I can understand why Moore is so bothered by accusations of racism and sexism. He’s an old hippie who has put more consideration to identity politics and representation into his work than most comic writers of his or any other generation. He’s taken other creators to task for their sexism and homophobia. But even though he’s written some strong women and minority characters, he can and does get it wrong sometimes, and his reaction here is disappointing — not least of all because of the rhetorical style he employs.