Cyberpunk has fallen from its peak in the 1980s and early 1990s, but the great cyberpunk authors are still writing. And many of them have turned to fantasy. Why is this?
What is it about fantasy that appeals to many of the greatest cyberpunk authors? We asked the authors themselves and also cooked up some theories of our own.
Rudy Rucker, author of the Ware tetralogy and Postsingular, among many others, has described his new novel Jim and the Flims as being akin to fantasy. Also, Black Glass author John Shirley published the mystical Bleak History in 2009.
Metrophage author Richard Kadrey has gained a huge following for his Sandman Slim novels — the third one, Aloha from Hell, is coming October 18. Richard K. Morgan, author of the cyberpunk Takeshi Kovacs novels, has written a bloody fantasy, The Steel Remains, with the sequel, The Cold Commands (or The Dark Commands), coming October 11. Meanwhile, some of Synners author Pat Cadigan’s recent stories have seemed much more fantasy-oriented.
What’s going on here?
I’m partial to the “Cyberpunk has come true” explanation.
I hadn’t even realized this was going on, but it makes sense. Fantasy hasn’t held my interest since adolescence (I’m sure there’s good stuff out there, I just haven’t seen enough of it). But I’ve been thinking about the idea of fantasy a lot lately. It sounds like an interesting genre to explore, but starting with Gilgamesh, it’s the oldest genre out there. Seems like it would be hard to get new ideas out of it.