Wired: The League is interesting because of its dependence on that vast canon. Everything from pulp up through every novel that’s been written gets hologrammed.
Moore: In the first two volumes we were dealing mainly with characters from literature, because characters from literature were all that were around up until roughly the end of the 19th century. With this one, the first one set in 1910, we’re using characters from the stage as well as literature. We’re using the whole Threepenny Opera storyline. With the second one, set in 1969, we’ve got access to all of the films and television that were around then. The third part, set in the present day – 2008, 2009 – we have characters from all of the new media that have evolved over the past 30 years.
It is interesting – it is an expanding cast of characters, and I suppose we’re attempting to come up with a kind of unified field theory of culture that actually links up all of these various works, whether they’re high culture or low culture or no culture.
Interesting to me because of my theory that LOST is “every story.”
Also remember that Watchmen, written by Moore, was a huge influence on LOST.