I’ll just stick to my own work, since I really haven’t tracked the Deleuzian scene in a while. “Back in the day” I was a total maniac for the stuff, and moderated a fascinating listserv devoted to D&G. I think I was attracted to their work because, of all the French poststructuralist thinkers I felt compelled to “master” during college, D&G were by far the trippiest-and the funniest. But I think my own take is rather different from the perspective of many, uh, “orthodox” Deleuzians. I believe Mille Plateaux is a psychedelic text. I think they were trying to write and think a sort of perception, where every aspect of mind and culture are seen as expressions of a mutant probing Tao that is constantly congealing and liquefying as it moves along. Delanda, one of D&G’s most interesting interpreters, is occasionally explicit about their psychedelic dimension, though I interpret this dimension in a more explicitly spiritual/Dionysian/Taoist manner that Delanda or most Deleuzian thinkers. The spiritual key to their work is in the chapter “How do you make yourself a Body without Organs”? It is all about Tantra, although they do not use the term.