The spiritual in design

Fell continues to work towards his theory of occult-design:

I remember speaking to a fellow by the name of SatsUrn on OccultForums.com some time ago. He works as a physicist in the U.S. dealing with electromagnetic radiation and had gotten involved in the occult with his interest in sacred geometry in ancient temples. Turns out that much of the ancient holy architects had some sort of esoteric knowledge of how particular angles, shapes, dimensions, and spaces could warp and affect the natural electromagnetic forces and other radiations and/or energies that were naturally occurrent. These structures could also focus human energies while within and, for lack of better terms, magnify or amplify them. Thus, sacred temples were actually, yes, houses of the gods. Not in that they were hanging out in the rafters looking down upon us, but as it welled up exotic energies that essentially entrained the people within to be drawn into either ecstatic states or lower EEG states, perhaps from the normal, waking beta state down to more introspective, “mystical” states that are normal when the mind’s EEG is entrained to alpha or theta waves.

In art, it is the realm of the artist to exact their inner visions of reality upon a canvas, whether it be clay or by brush. We do not see the world as it is, we see the world as we are. But a designer learns the tenets of her or his craft in order to bring an order, hierarchy, and structure to that which there is apparently none ? something especially true in an “Age of Information,” an age named after an abstraction. The methods of magic are similar in that the will of the individual is fixed and, through a projection of desire into the substratum of reality, events unfold that can bring about changes in apparent accord to the magician’s will. It is an attempt to place an abstract order of control over the randomness of life. (Love Women, Hate Stupid).

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