Technoccult

The cover of DMT: The Spirit Molecule

I’m reading Grant Morrison’s Supergods right now, and I’ll probably have more to say on it in the future. But I’ve just passed a part in the book where he talks about the Sekhmet Hypothesis, and wanted to get some thoughts down right now.

The gist of the Sekhmet Hypothesis, as explained by Morrison, is that every 11 years culture shifts as sunspot activity waxes and wains. At one pole is “hippie” culture characterized by longer pop songs, longer hair baggy clothes, psychedelics and an emphasis on peace and love. At the other pole is punk culture, which is characterized by shorter pop songs, short hair, tight clothes, stimulants and an emphasis on anger and rebellion.

Update: Iain Spence, the originator of the Sekhmet Hypothesis and author of a book on the subject left a long comment that’s worth reading. It appears, first of all, that Morrison’s punk/hippie description of the hypothesis is much oversimplified (or perhaps I misunderstood his interpretation of it, this is like a game of telephone – if you want the real scoop on the hypothesis, go to the source). Second, Spence has updated the hypothesis having admitted that he was wrong about the solar cycle aspect of it, among other things.

So it would go:

• 1966: LSD, psychedelic rock, hippies, happenings, peace and love.
• 1977: Punk, new wave, shaved heads, cocaine, rock shows, nihilism.
• 1988: Rave, long electronic dance tracks, shoegaze, Brit pop, MDMA, “Peace, Love, Unity, Respect.”
• 1999: The Matrix, nu-metal, emo, screamo, cutting going mainstream, Red Bull, Starbucks, cocaine and meth making a come back, 9/11, Law & Order.
• 2010: Avatar, Alice in Wonderland and the “dandyishness” of the vampires of Twilight and True Blood (not sure I swallow that last part).

I could add the surge of mind fuck movies in the 90s, and their come back in the 10s, but as some readers pointed out in my earlier post on the subject, those types of movies didn’t entirely die out in the 00s. Also:

• The 60s were also marked by outrage and protest, some of quite violent. A lot of hippies and mods wore tight clothes.
• The late 70s and early 80s also had disco (and later house), psychedelic post-punk, butt rock, epic metal etc.
• The 90s had the Rodney King riots, gangsta rap, Nine Inch Nails, Marilyn Manson, plenty of metal, the militia movement, hyperviolent video games and movies.
• Rave didn’t completely die out in the 90s, instead it turned into teknival with a strong emphasis on the hippie-ish psytrance wing. Burning Man grew larger than ever. Not to mention Massively multiplayer online role playing games and Second Life. Tool put Alex Grey’s art on their album cover and his career exploded. Daniel Pinchbeck sold a bazillion books. And what about the popularity of bands like Radiohead, Coldplay and Muse? A bit more underground, but what to make of doom metal, dubstep and BPitchControl, or the hipster cred of Arthur Magazine?

It’s really hard for me to accept that “punk” is the opposite of “hippie.” The 60s counterculture wasn’t always peaceful and non-violent, and the punks, with their love of Jamaican music, antiwar songs and their vegan and vegetarianism were a lot more hippie-ish than many gave them credit for.

And yet…

It’s hard, given the number of exceptions to the formula, to swallow the idea that there’s a real, society-wide pull between punk and hippie every 11 years. Others have critiqued historicity before, and I don’t need to go there.

But there may be pattern of rising and falling tides of psychedelia, perhaps accompanied by a sense of optimism and energy that eventually dissipates. The 60s had acid, the 90s had ecstasy. And I’m hearing that DMT is becoming a common strong street drugs these days, and the new cool thing to listen to is apparently the sound of a modem slowed way down. We could be in for some weird times indeed.