In a lengthy interview at Wired, Alan Moore talks about the latest installment of The League of Extraordinary Gentlemen, the 60s, The Prisoner, his novel Jerusalem and more:

So my perspective upon that era has changed. You can find that in bits of the dialogue, such as when Mina Murray tries a bit too hard to embrace the ’60s. As she, Allan Quatermain and Orlando make their way to the Hyde Park festival, she says that they are all looking to the future and being incredibly progressive. And Orlando, who’s been around a lot longer than Mina, points out that no, they’re not. They’re just nostalgic for their own childhoods. Which, looking back, was a big part of the ’60s. It was reflected in a lot of the haunted nursery rhymes of that period, especially in the music of Pink Floyd’s Syd Barrett.

So my actual feelings about the ’60s are that, yes, of course we had limitations. We talked a lot of shit, and we didn’t have the muscle to back it up. For the most part, we had good intentions. However, we were not able to implement those intentions. And when the state started to take us seriously and initiated countermeasures, the majority of us folded like bitches. Not all of us, but a good number. We weren’t up for the struggle that had sounded so great in our manifestos.

Moore mentioned again his multimedia project, which is indeed the project with Mitch Jenkins:

It’s getting out of hand in the best possible way, and might be expressed in any number of media, and across platforms. So we’re going to start shooting that in August, so expect a release date before the end of the year at which point I’ll be able to tell you much more about it.

Wired: Alan Moore Takes League of Extraordinary Gentlemen to the ’60s

Also: Moore’s magazine Dodgem Logic is going to be an online-only publication moving forward.